芥川龙之介的文学作品与中国情结研究
发布时间：2018-08-02 20:33
【摘要】：芥川龙之介是日本大正时期的杰出作家，短篇小说巨匠。他的作品意蕴深厚，他的笔法冷静犀利。他有着继承了“和汉洋”三种文学渊源的，超乎大正时期一般作家的文学素养；也正因为如此，芥川龙之介拥有为数众多的国内外的忠实读者。可惜在1927年，，即芥川龙之介35岁之时，他在怀着对未来的“朦胧的不安”而自杀之后，全世界的读者都嗟叹着又一位文坛巨匠的英年早逝；而对于芥川龙之介的各种艺术主张的讨论，如对于《地狱变》中的艺术至上主义，对于《罗生门》中的利己主义等方面的热议与争论，一直没有停止过。然而，在笔者涉及的这一主题，即“芥川龙之介与中国”这一关于芥川学术研究的重要方面却一直鲜有人涉及。虽然近年来这一领域的关注度有了很大提高，但也仅限于“芥川的创作与对中国古籍的借鉴”等传统课题的研究。笔者认为，中国的幻象以及芥川龙之介的中国之行对他的影响之大，延续时间之长，值得深思。本论文拟对“芥川龙之介的中国情结”这一课题入手，并运用比较文学方面的影响研究理论，结合详实而富有成效的资料，进行更加深化的认识与研究。
[Abstract]:Akutagawa Lonosuke was an outstanding writer in Japan's Taisho period and a masterpiece of short stories. His works have profound implications and his style of writing is cool and sharp. He inherited the three literary sources of "and the Han Ocean", which is beyond the literary literacy of the general writers during the period of Dazheng, and because of this he has a large number of loyal readers at home and abroad. Unfortunately, at the age of 35 in 1927, after he committed suicide with a "hazy unease" about the future, readers around the world lamented the premature death of another literary magnate; However, the discussion on the various artistic ideas of Akutagawa Lung-suke, such as the art supremacy in Hell change and the egoism in Luo Shengmen, has never stopped. However, there has been little concern in this subject, that is, the important aspect of the academic research of mustard Sichuan and China. Although the attention in this field has been greatly improved in recent years, it is limited to the study of the traditional topics such as the creation and reference to the ancient books of China. The author thinks that the illusions of China and Akutagawa's visit to China have a great influence on him, and the duration is so long that it is worth pondering. This paper intends to start with the subject of "the Chinese complex of Mustakawa Longshisuke", and use the theory of influence research in comparative literature, combining with detailed and fruitful data, to carry out a deeper understanding and study.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
本文编号：2160645
[Abstract]:Akutagawa Lonosuke was an outstanding writer in Japan's Taisho period and a masterpiece of short stories. His works have profound implications and his style of writing is cool and sharp. He inherited the three literary sources of "and the Han Ocean", which is beyond the literary literacy of the general writers during the period of Dazheng, and because of this he has a large number of loyal readers at home and abroad. Unfortunately, at the age of 35 in 1927, after he committed suicide with a "hazy unease" about the future, readers around the world lamented the premature death of another literary magnate; However, the discussion on the various artistic ideas of Akutagawa Lung-suke, such as the art supremacy in Hell change and the egoism in Luo Shengmen, has never stopped. However, there has been little concern in this subject, that is, the important aspect of the academic research of mustard Sichuan and China. Although the attention in this field has been greatly improved in recent years, it is limited to the study of the traditional topics such as the creation and reference to the ancient books of China. The author thinks that the illusions of China and Akutagawa's visit to China have a great influence on him, and the duration is so long that it is worth pondering. This paper intends to start with the subject of "the Chinese complex of Mustakawa Longshisuke", and use the theory of influence research in comparative literature, combining with detailed and fruitful data, to carry out a deeper understanding and study.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
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本文编号：2160645
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