含混—《磨砺》的解构主义解读
发布时间：2018-08-11 10:34
【摘要】：提到现当代英国文学，以小说家，文学评论家，传记文学家等多重身份而蜚声英国文坛的玛格丽特·德拉布尔是不容错过的一个重要人物。她对人类，尤其是其同时代的妇女的生存状态有着深刻的关怀。因此，不管是她的早期含有大量自我指涉现象的《夏日鸟笼》，《加里克年》，《磨砺》等作品，还是以《冰封岁月》的发表为标志的那些把其关注视线从家庭生活扩大到社会问题的后期作品，我们总能在她的作品中找到其明确的道德关怀。她的第三部作品，《磨砺》使玛格丽特·德拉布尔几乎成为英国一个家喻户晓的名字，她也因为这部作品获得了詹姆斯·泰特·布莱克纪念奖，并且该作品在美国还被改变成电影《爱情曾来过》。《磨砺》主要讲述一位年轻的英语专业博士研究生罗莎蒙德在撰写她的博士论文的时候却意外怀孕，因此而面临着事业与小孩；理想与现实；觉醒的女性意识与传统妇女角色之间的种种困惑。毋庸置疑的是，小说中描写到的女主人公的各种困惑实则跟德拉布尔刚刚跨出象牙塔步入一个与其理想有着强烈反差现实社会之时所面临的各种问题大同小异。从更广泛的意义上讲，她们所处的两难境地是广大现代知识女性所共有的。因此，在德拉布尔的早期小说中，她总是在努力寻找一条出路，，一条能够使知识女性走出困境的出路。细读《磨砺》，我们可以发现作者努力构建的主题意义：在内容上，作者试图证明，知识女性只要欣然接受自己的母性本能就能找到一条自我拯救的道路；在形式上，她认为现当代作家应该追随现实主义传统，而不是后现代主义的写作方法。然而，建构小说的全部意义所依赖的两对二元对立：道德/非道德；传统/实验，是不稳定的。因为小说中大量的含混因素足以使小说主题意义自我解构。这些含混首先体现在作者对小说主人公的人物塑造上，罗莎蒙德是作者对现代知识女性道德关怀的代言人，然而她在小说中的许多观念与行为都与英国主流道德、价值观不相符，所以作者难以说服读者其所谓的“道德关怀”；其次，作者在小说中运用了许多后现代小说的表现技巧，如自反性，不可靠叙事以及悖论等，这样的处理方法也与作者试图构建的现实主义传统卫士的身份不相符合。总的来说，德拉布尔本身对其在小说中倡导的人生，艺术策略持含混态度，她努力构建的主题意义也不攻自破。 本文由三部分构成，前言，主体和结论。 前言部分包括对《磨砺》的文献综述和其作者玛格丽特·德拉布尔的简要介绍，以便导入论文的主体部分。 主体部分包括三章：第一章的中心论点是德拉布尔是一位严谨的道德家，她总是关心女性知识分子的处境问题并且试图说服读者母性意识回归是女性走出困境的出路。第二章主要通过细读法来把德拉布尔努力构建的另外一层文本意义展现给读者：比起后现代主义的创作方法，现实主义的文学传统才是更值得推荐的小说创作方式。第三章指出了小说中与德拉布尔试图构建的两层文本意义想矛盾的种种细节，从而解构小说作者的“主题意义”。另外，论文揭示出在解构背后暗藏的小说的意义。 论文的结尾部分简要重申本文观点。
[Abstract]:Margaret Drabble, who is well-known as a novelist, literary critic and biographer in modern and contemporary English literature, is an important figure who can not be missed. She has a deep concern for the living conditions of human beings, especially women of her own time. Therefore, her early life contains a great deal of self-interest. I refer to phenomenal works like "Summer Bird's Cage", "Garrick's Year", "Grinding" or later works that extend their attention from family life to social problems marked by the publication of "Frozen Years". Her third work, "Grinding" has enabled Margaret De to find a clear moral concern in her work. Ramble became almost a household name in Britain, and she won the James Tate Blake Memorial Award for her work, which was transformed into a film in the United States called Love Has Been There. Unexpected pregnancies, therefore, confront career and children; ideals and realities; awakened female consciousness and confusion between traditional women's roles. In a broader sense, their dilemma is shared by the vast majority of modern intellectual women. Therefore, in Drabble's early novels, she is always trying to find a way out, a way out of the predicament of intellectual women. The thematic significance of the author's endeavor: in content, the author tries to prove that intellectualized women can find a way of self-salvation as long as they accept their maternal instincts; in form, she believes that modern and contemporary writers should follow the realist tradition rather than the post-modernist writing method. However, the construction of the whole novel. Two pairs of binary opposition on which meaning depends: moral/immoral; tradition/experimentation, which is unstable. Because there are so many ambiguous factors in the novel that the theme of the novel can deconstruct itself. However, many of her concepts and behaviors in the novel are inconsistent with the mainstream morality and values in Britain, so it is difficult for the author to convince the readers of her so-called "moral concern"; secondly, the author uses many post-modern novel performance techniques, such as reflexivity, unreliable narration and paradox, and so on, such treatment also with the British mainstream morality and values. Generally speaking, Drabble herself has a vague attitude towards the life and artistic strategies she advocates in her novels, and the thematic significance she tries to construct does not break herself.
This article consists of three parts: preface, main body and conclusion.
The preface includes a literature review of Grinding and a brief introduction to its author, Margaret Drabble, for the purpose of introducing the main body of the paper.
The main part consists of three chapters: the central argument of the first chapter is that Drabble is a rigorous moralist who always cares about the situation of female intellectuals and tries to persuade readers that the return of maternal consciousness is the way out for women. The third chapter points out the details of the contradiction between the two levels of textual meaning that Drabble tried to construct in the novel, and thus deconstructs the author's "thematic meaning." In addition, the paper reveals that in the novel the author's "thematic meaning" can be found. Deconstruct the meaning of hidden novels.
The conclusion of this paper briefly reiterates this view.
【学位授予单位】：四川外语学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
本文编号：2176749
[Abstract]:Margaret Drabble, who is well-known as a novelist, literary critic and biographer in modern and contemporary English literature, is an important figure who can not be missed. She has a deep concern for the living conditions of human beings, especially women of her own time. Therefore, her early life contains a great deal of self-interest. I refer to phenomenal works like "Summer Bird's Cage", "Garrick's Year", "Grinding" or later works that extend their attention from family life to social problems marked by the publication of "Frozen Years". Her third work, "Grinding" has enabled Margaret De to find a clear moral concern in her work. Ramble became almost a household name in Britain, and she won the James Tate Blake Memorial Award for her work, which was transformed into a film in the United States called Love Has Been There. Unexpected pregnancies, therefore, confront career and children; ideals and realities; awakened female consciousness and confusion between traditional women's roles. In a broader sense, their dilemma is shared by the vast majority of modern intellectual women. Therefore, in Drabble's early novels, she is always trying to find a way out, a way out of the predicament of intellectual women. The thematic significance of the author's endeavor: in content, the author tries to prove that intellectualized women can find a way of self-salvation as long as they accept their maternal instincts; in form, she believes that modern and contemporary writers should follow the realist tradition rather than the post-modernist writing method. However, the construction of the whole novel. Two pairs of binary opposition on which meaning depends: moral/immoral; tradition/experimentation, which is unstable. Because there are so many ambiguous factors in the novel that the theme of the novel can deconstruct itself. However, many of her concepts and behaviors in the novel are inconsistent with the mainstream morality and values in Britain, so it is difficult for the author to convince the readers of her so-called "moral concern"; secondly, the author uses many post-modern novel performance techniques, such as reflexivity, unreliable narration and paradox, and so on, such treatment also with the British mainstream morality and values. Generally speaking, Drabble herself has a vague attitude towards the life and artistic strategies she advocates in her novels, and the thematic significance she tries to construct does not break herself.
This article consists of three parts: preface, main body and conclusion.
The preface includes a literature review of Grinding and a brief introduction to its author, Margaret Drabble, for the purpose of introducing the main body of the paper.
The main part consists of three chapters: the central argument of the first chapter is that Drabble is a rigorous moralist who always cares about the situation of female intellectuals and tries to persuade readers that the return of maternal consciousness is the way out for women. The third chapter points out the details of the contradiction between the two levels of textual meaning that Drabble tried to construct in the novel, and thus deconstructs the author's "thematic meaning." In addition, the paper reveals that in the novel the author's "thematic meaning" can be found. Deconstruct the meaning of hidden novels.
The conclusion of this paper briefly reiterates this view.
【学位授予单位】：四川外语学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
【参考文献】
相关期刊论文 前1条
1 王桃花;;罗萨蒙德的原罪与救赎——《磨盘》之女性主义解读[J];大庆师范学院学报;2009年02期
本文编号：2176749
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