试论新世纪以来岛田雅彦小说对后现代文学的反思与革新

发布时间：2018-08-18 21:20

【摘要】：岛田雅彦是日本后现代主义文学的旗手。自1983年以《献给温柔左翼的嬉游曲》出道以来，岛田雅彦笔耕不辍，著述颇丰。本论文根据主题内容和表现手法的不同，将岛田雅彦的小说分为初期小说和新世纪小说．其中，初期小说是指从1983年到1999年出版的小说，新世纪小说则是指从2000年到2012年出版的小说。在初期小说中，岛田雅彦运用滑稽模仿，情节与内容的虚构性和荒唐性，语言表达的异化等后现代的表现方法，来实现文体的破坏和重构。而且，在初期小说中，岛田雅彦也多次提及分裂症、仿造、变形、亡命、移民、租借婴儿、非国民等与分裂、解体相关的后现代主题。但是，新世纪以来的岛田小说，无论是在主题内容上，还是在表现手法上，都和初期的小说大相径庭．本论文主要以岛田雅彦新世纪创作的小说为研究对象，在和初期小说对比的基础上，探讨岛田雅彦对后现代主义文学的反思和革新。本论文共由三章构成。首先，在第一章主要论述从初期小说的时代精神到新世纪小说的现实性与历史性的变容。初期小说的时代精神表现在，岛田雅彦站在后现代社会和高度消费社会的时代前沿，密切关注近未来将要发生的事情。新世纪小说的现实性与历史性表现在，岛田雅彦从正面审视现实和历史，将现实社会的问题和历史要素引入小说中，指出日本社会存在的问题。时代精神和现实性都体现了岛田雅彦对现实社会的关注，只是关注程度与表现手法不同而已。初期小说的时代精神是通过大量使用后现代手法来表现的。而新世纪小说的现实性和历史性则是通过减少使用后现代手法和回归传统叙事方法来体现的。在主题内容从时代精神变化到现实性和历史性的同时，表现手法也相应发生了变化。其次，在第二章详细分析岛田雅彦小说中后现代手法的变容。初期小说运用了文本的开放性，情节与内容的虚构性和荒唐性，语言表达的解体等后现代手法。与之相对,在新世纪小说中,后现代手法明显减少,仅表现在文本的开放性和情节与内容的虚构性两个方面。相反,岛田雅彦开始重视小说叙事的完整性,在叙事方法上下功夫。后现代手法的变容是为主题内容的变化而服务的。最后,在第三章探讨岛田雅彦对后现代主义文学的反思与革新。在新世纪小说中,岛田雅彦刻意减少使用后现代手法,是对后现代主义文学过分追求形式,无视主题的反思；而使用后现代手法的同时,尊重小说叙事的完整性并引入历史和现实等要素,是对后现代主义文学的大胆革新。另一方面,后现代现实主义文学融合了后现代主义文学和现实主义文学的特征,丰富了后现代主义文学的主题和内容,改善了后现代主义文学的叙事方法,体现了对后现代主义文学的反思和革新。而岛田雅彦对后现代主义文学的反思和革新,显示了其向后现代现实主义文学靠拢的倾向。作为日本后现代主义文学的旗手活跃至今的岛田雅彦,积极探索后现代主义文学以后的文学模式,为日本后现代文学的发展开拓了新的境地。本论文主要探讨岛田雅彦的新世纪小说对后现代主义文学的反思和革新,对日本新世纪文学,特别是后现代文学的研究具有重要的借鉴意义。
[Abstract]:Yahiko Shimada is the flag bearer of postmodernist literature in Japan. Since his debut in 1983 as "A Hippie for the Gentle Left Wing", Yahiko Shimada has written and written extensively. In the early novels, Yahiko Shimada used post-modern methods of expression, such as parody, fiction and absurdity of plot and content, and alienation of language expression, to destroy and reconstruct his style. There are also many post-modern themes related to schizophrenia, imitation, deformation, death, immigration, leasing of infants, non-nationals and so on. However, the novels of Shimada since the new century are quite different from the novels of the early stage in both the theme and the expression. This thesis consists of three chapters. Firstly, the first chapter mainly discusses the spirit of the times in the early novels to the reality and historical transformation of the new century novels. Yahiko Tanabe stands at the forefront of the post-modern society and the highly consuming society and pays close attention to what will happen in the near future. The reality and historicity of the novel in the new century are reflected in that Yahiko Shimada looks at reality and history from a positive perspective, introduces the problems of the real society and historical elements into the novel, and points out the problems in the Japanese society. The spirit and reality both reflect Yahiko Shimada's concern for the real world, but the degree of concern is different from that of expression. The spirit of the times in the early novels is expressed by the use of a large number of post-modern techniques. The realism and historicity of the new century novels are expressed by reducing the use of post-modern techniques and returning to traditional narrative methods. Secondly, in the second chapter, the author analyzes in detail the post-modern techniques in Yahiko Shimada's novels. In the early stage, the novel uses the openness of the text, the fiction and absurdity of plot and content, and the disintegration of language expression. On the contrary, Yahiko Shimada began to attach importance to the integrity of the novel narrative and work hard on the narrative method. In the new century novels, Yahiko Shimada deliberately reduces the use of post-modern techniques, which is a reflection on the excessive pursuit of form, ignoring the theme of post-modernist literature; while using post-modern techniques, he respects the integrity of novel narrative and introduces calendar. On the other hand, post-modern realism literature fuses the characteristics of post-modernism literature and realism literature, enriches the theme and content of post-modernism literature, improves the narrative method of post-modernism literature, and embodies the post-modernism literature. Yahiko Shimada's reflections and innovations on postmodernist literature show his tendency to approach postmodern realist literature. Yahiko Shimada, as the flag bearer of postmodernist literature in Japan, has actively explored the literary model after postmodernist literature, which has opened up the way for the development of postmodern literature in Japan. This paper mainly discusses Yahiko Shimada's new century novels'reflection and innovation on postmodernism literature, which is of great significance to the study of Japanese new century literature, especially postmodern literature.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074

【相似文献】