赛珍珠作品在中美两国的经典化历程

发布时间：2018-10-21 13:30

【摘要】：赛珍珠的作品在美国文学发展史中处于一个独特的地位。作为一个长期接受了中美两种不同文化熏陶的美国作家,其作品显示出与众不同的视角。然而,赛珍珠的作品在中美两国的经典化过程并不是一帆风顺的。赛珍珠的《大地》三部曲由于是中国题材,美国学者认为不能代表美国叙事,因而开始并不被美国的学术界看好。但是,由于这部作品如实地向西方世界介绍了一个东方国度的风情人貌,成为美国读者真正了解一个他们并不熟悉的国度的窗口,而最终被接受下来。中国学术界则受东西方文化差异性、种族和宗教等因素的影响,认为赛珍珠是西方白人作家而对她持排斥态度。直至改革开放以后,随着中美之间的跨文化交流活动日渐频繁,狭隘民族主义的藩篱逐渐被打破,赛珍珠的作品才真正被中国学术界作为经典而普遍接受。
[Abstract]:Pearl Buck's works are in a unique position in the history of American literature. As an American writer who has long been influenced by Chinese and American cultures, his works show a distinctive perspective. However, Pearl Buck's work in China and the United States in the process of canonization is not smooth. Because Pearl Buck's Trilogy is Chinese, American scholars don't think it can represent American narration, so they are not favored by American academic circles. However, because the work truthfully introduced an oriental country to the Western world, it became a window for American readers to really understand a country they were not familiar with, and was eventually accepted. Influenced by the cultural differences between the East and the West, race and religion, the Chinese academic circles regard Pearl Buck as a white writer in the West and reject her. Until the reform and opening up, with the increasingly frequent cross-cultural exchanges between China and the United States, narrow nationalist barriers were gradually broken, Pearl Buck's work was truly accepted as a classic and generally accepted by the Chinese academic community.
【作者单位】：内蒙古民族大学外国语学院;吉林大学文学院;
【基金】：国家留学基金管理委员会资助项目“美国文学研究”(CSC97822032) 吉林省社会科学基金“十八大”专题重点项目“文学的文化软实力研究”(2013A04)阶段性成果
【分类号】：I712.074

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