文学语用学视域下小说《花鼓歌》中的华裔人物正面形象分析
发布时间：2018-10-24 20:28
【摘要】：20世纪80年代，文学语用学这个介于语用学和文学之间的新兴交叉学科开始正式登上学术舞台。文学语用学将语用学与文学研究相结合，从语用学的角度来研究文学作品，它的兴起引起了文学界与语言学界广泛关注。语用学理论不仅为文学作品研究提供新的研究视角，而且具有很强的阐释性。 在语用学的主要理论中，语言哲学家格赖斯提出的会话含义理论是极为重要的理论之一；这一理论与言语行为理论堪称是语用学发展的里程碑。根据格赖斯的观点，在人类交际中“会话含义”普遍存在，其理据是交际双方对合作原则的遵守与否。可以说，合作原则是格赖斯提出会话含义理论的核心内容。本文试图从文学语用学的角度运用会话含义理论中的合作原则来解读由“黎氏八骏”之一的华裔美国作家黎锦扬所著的小说《花鼓歌》。本文将沿着合作原则对说话者意图的揭示反映了人物性格特征并塑造了人物形象这一主线对这部小说进行研究，通过本研究，作者拟进一步证明运用文学语用学这门新兴学科的理论与方法来分析文学文本的意义和有效性，同时证明从文学语用学的视角更能彰显小说作者黎锦扬对《花鼓歌》里华裔人物形象正面塑造的意图，从而证明该作品在逆转先前华裔负面形象的过程中所起到的积极作用。 文学作品中的人物形象丰满与否，直接取决于每一个人物个性化的语言。鉴于此，本文以文学语用学为研究视野，运用会话含义理论分别对《花鼓歌》中主要男性华裔人物：王老爷、王大、张灵羽、李老头，和主要女性华裔人物：李梅、唐太太、赵海伦的大量经典对话进行了微观研究。通过分析小说各主要华裔人物在对话中对合作原则中数量准则、质量准则、关系准则及方式准则的遵守和违反情况，总结了他（她）们各自的性格特点，，从而得出了这些人物都是黎锦扬对华裔形象的正面塑造的结论。 通过运用会话含义理论中的合作原则对小说中华裔人物性格的分析，本文旨在阐明黎锦扬在《花鼓歌》中对华裔人物形象的正面书写既是他对美国主流文化中华人既定刻板负面形象的隐性辩白，也是他反驳美国主流文化庞大霸权话语的一种特殊而有力的方式。以此，笔者希望本研究能够拓展对《花鼓歌》的批评维度，并期待中国读者能够更好地解读和欣赏这部曾经“被遗忘的经典”华裔文学著作，了解其在颠覆主流话语和重塑华人形象方面的重要作用。
[Abstract]:In the 1980's, literary pragmatics, a new interdiscipline between pragmatics and literature, began to appear on the academic stage. Literary pragmatics combines pragmatics with literary research and studies literary works from the perspective of pragmatics. The rise of literary pragmatics has aroused widespread concern in literary and linguistic circles. Pragmatics theory not only provides a new perspective for the study of literary works, but also has a strong explanatory nature. Among the main theories of pragmatics, the theory of conversational implicature put forward by linguistic philosopher Grice is one of the most important theories, and this theory and the theory of speech act can be regarded as a milestone in the development of pragmatics. According to Grice, conversational implicature is prevalent in human communication on the basis of adherence to the principle of cooperation. It can be said that the principle of cooperation is the core of Grice's theory of conversational implicature. This paper attempts to use the cooperative principle in conversational implicature from the perspective of literary pragmatics to interpret the novel "Flower Drum songs" by Li Jinyang, a Chinese American writer who is one of Li's eight Chun. In this paper, the author will study this novel by revealing the intention of the speaker along the principle of cooperation, which reflects the character characteristics and shapes the image of the character. The author intends to further prove the significance and validity of literary texts by using the theories and methods of literary pragmatics as a new discipline. At the same time, it proves that from the perspective of literary pragmatics, the author of the novel Li Jinyang's intention to positively portray the Chinese characters in "Flower Drum songs", thus proves the positive role that the novel plays in reversing the negative image of the former Chinese people. Whether the characters in literary works are full or not depends directly on the individualized language of each character. In view of this, this paper, from the perspective of literary pragmatics, applies conversational implicature theory to analyze the main male Chinese characters in "Flower Drum songs": Lord Wang, Wang Da, Zhang Lingyu, Li Old Man, and the main female Chinese characters: Li Mei, Mrs. Tang. Zhao Helen's a large number of classic dialogues carried out microscopic research. By analyzing the adherence and violation of the main Chinese characters of the novel to the principles of cooperation, quantity, quality, relationship and manner in the dialogue, this paper summarizes their respective personality characteristics. It is concluded that these characters are the positive portrayal of Chinese image by Li Jinyang. By applying the cooperative principle in conversational implicature theory, the author analyzes the characters of Chinese characters in the novel. The purpose of this paper is to clarify that Li Jinyang's positive writing of Chinese characters in Flower Drum Song is his recessive argument about the stereotyped and negative image of the Chinese people in the mainstream culture of the United States. It is also a special and powerful way for him to refute the hegemonic discourse of American mainstream culture. Therefore, the author hopes that this study can expand the critical dimension of "Flower Drum songs" and hope that Chinese readers can better interpret and appreciate this once "forgotten classic" Chinese literary work. Understand its important role in subverting mainstream discourse and reshaping the image of Chinese.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.074
本文编号：2292465
[Abstract]:In the 1980's, literary pragmatics, a new interdiscipline between pragmatics and literature, began to appear on the academic stage. Literary pragmatics combines pragmatics with literary research and studies literary works from the perspective of pragmatics. The rise of literary pragmatics has aroused widespread concern in literary and linguistic circles. Pragmatics theory not only provides a new perspective for the study of literary works, but also has a strong explanatory nature. Among the main theories of pragmatics, the theory of conversational implicature put forward by linguistic philosopher Grice is one of the most important theories, and this theory and the theory of speech act can be regarded as a milestone in the development of pragmatics. According to Grice, conversational implicature is prevalent in human communication on the basis of adherence to the principle of cooperation. It can be said that the principle of cooperation is the core of Grice's theory of conversational implicature. This paper attempts to use the cooperative principle in conversational implicature from the perspective of literary pragmatics to interpret the novel "Flower Drum songs" by Li Jinyang, a Chinese American writer who is one of Li's eight Chun. In this paper, the author will study this novel by revealing the intention of the speaker along the principle of cooperation, which reflects the character characteristics and shapes the image of the character. The author intends to further prove the significance and validity of literary texts by using the theories and methods of literary pragmatics as a new discipline. At the same time, it proves that from the perspective of literary pragmatics, the author of the novel Li Jinyang's intention to positively portray the Chinese characters in "Flower Drum songs", thus proves the positive role that the novel plays in reversing the negative image of the former Chinese people. Whether the characters in literary works are full or not depends directly on the individualized language of each character. In view of this, this paper, from the perspective of literary pragmatics, applies conversational implicature theory to analyze the main male Chinese characters in "Flower Drum songs": Lord Wang, Wang Da, Zhang Lingyu, Li Old Man, and the main female Chinese characters: Li Mei, Mrs. Tang. Zhao Helen's a large number of classic dialogues carried out microscopic research. By analyzing the adherence and violation of the main Chinese characters of the novel to the principles of cooperation, quantity, quality, relationship and manner in the dialogue, this paper summarizes their respective personality characteristics. It is concluded that these characters are the positive portrayal of Chinese image by Li Jinyang. By applying the cooperative principle in conversational implicature theory, the author analyzes the characters of Chinese characters in the novel. The purpose of this paper is to clarify that Li Jinyang's positive writing of Chinese characters in Flower Drum Song is his recessive argument about the stereotyped and negative image of the Chinese people in the mainstream culture of the United States. It is also a special and powerful way for him to refute the hegemonic discourse of American mainstream culture. Therefore, the author hopes that this study can expand the critical dimension of "Flower Drum songs" and hope that Chinese readers can better interpret and appreciate this once "forgotten classic" Chinese literary work. Understand its important role in subverting mainstream discourse and reshaping the image of Chinese.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.074
【参考文献】
相关期刊论文 前9条
1 吴金平;排华法下的中国移民与美国移民官员[J];八桂侨史;1999年04期
2 胡壮麟;;语用学[J];国外语言学;1980年03期
3 程雨民;;格赖斯的“会话含义”与有关的讨论[J];国外语言学;1983年01期
4 刘满贵;;《花鼓歌》:美国华人移民文学的里程碑[J];北京农学院学报;2007年S1期
5 ;Oxford University Press[J];分子植物育种;2007年02期
6 邵志洪;从Hamlet与Polonius的对话看会话中的“合作原则”[J];四川外语学院学报;1990年03期
7 王欣;九十年代语用学研究的新视野——历史语用学、历时语用学和文学语用学[J];外语教学与研究;2002年05期
8 徐盛桓;新格赖斯会话含意理论和语用推理[J];外国语(上海外国语学院学报);1993年01期
9 徐盛桓;;会话含意理论的新发展[J];现代外语;1993年02期
相关博士学位论文 前1条
1 董美含;90年代后美国华裔女性小说研究[D];吉林大学;2011年
本文编号：2292465
本文链接：https://www.wllwen.com/wenyilunwen/wxchuangz/2292465.html
