克罗齐与古典文类理论的终结

发布时间：2018-11-06 18:50

【摘要】：克罗齐直觉主义美学的提出与摆脱包括文类规范、规则在内的概念主义泥淖关系紧密,艺术直觉品的特性、心灵活动四阶段说构成了对文类划分、文类等级、缺类现象、文类规则及"三一律"的否定式批判。文类概念经验层面的实践效用主要表现为:借助文类概念来采集、限制和管理实践中的直觉外射物;实践中的各类文学作品,可作为备忘刺激物服务于直觉品再造。克罗齐的直觉主义美学堪称康德美学的意大利修订版。克罗齐在西方文类理论史上显然是一位承前启后的枢纽式人物,他以一种不免极端的姿态化喧嚣为虚无,彻底终结了古典主义文类理论的最后气息,值得我们认真反思。
[Abstract]:The proposition of Croce's intuitionism aesthetics is closely related to getting rid of conceptualism, including literary norms and rules. The characteristics of artistic intuition and the four stages of spiritual activity constitute the classification of literary categories, the classification of literary classes, and the phenomenon of lack of category. The rules of Literature and the negative criticism of "three Unification". The practical utility of the concept of literature and experience is mainly shown as follows: collecting, restricting and managing intuitionistic external objects in practice with the help of the concept of literary category, and all kinds of literary works in practice can serve as reminders for the reengineering of intuitionistic products. Croce's intuitionistic aesthetics can be regarded as the Italian revision of Kant's aesthetics. Croce is obviously a pivotal figure in the history of western literary theory. He takes a kind of extreme posture to turn the noise into nothingness, which completely ends the final breath of classical literary theory, and deserves our careful reflection.
【作者单位】：北京师范大学中国语言文学流动站;扬州大学文学院;
【基金】：教育部全国优秀博士学位论文作者专项资助项目“西方文类理论史纲”(201010)成果中国博士后科学基金资助项目(2011M500012,2012T50059)成果教育部“新世纪优秀人才支持计划”(2012)和江苏省教育厅高校“青蓝工程”(2010-2013)资助
【分类号】：I546.06

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