论莎士比亚传奇剧结构模式及其功能

发布时间：2018-12-23 07:47

【摘要】：莎士比亚一生共创作了四部传奇剧，包括《泰尔亲王配力克里斯》、《冬天的故事》、《辛白林》和《暴风雨》。通过将现存完整的六部希腊传奇的结构模式与莎士比亚传奇剧作比较，不难发现莎士比亚传奇剧几乎包含了希腊传奇的一切典型要素。本篇论文分别从情节结构模式和人物结构模式两条主线入手，将对四个情节节点和五大类型人物在戏剧中相互影响的关系进行具体地分析。本篇论文分为“莎士比亚传奇剧情节结构模式及其功能”和“莎士比亚传奇剧人物结构模式及其功能”，同时还包括“莎士比亚传奇剧与希腊传奇、情节剧的关系”，一共三大部分。绪论部分主要是对国外和国内莎士比亚传奇剧的研究现状的综述，以及本篇文章的研究方法和创新点的介绍。从研究的戏剧剧目方面来看，主要集中在《暴风雨》一剧当中；从研究的戏剧要素方面来看，主要集中在主题和情节的研究上。无论是国内还是国外对传奇剧的研究都是整个莎士比亚研究中的一个十分薄弱的环节。第一章论述了莎士比亚传奇剧中情节结构模式及其功能。此章节分为两个小节，第一小节总结情节的基本结构模式，即：前史、冲突、高潮和结局，共四个情节节点，以及各部分情节节点的叙事特征。第二小节论述了情节结构模式在人物结构模式当中起到的特殊作用，即前史是为人物提供悲剧的背景，，冲突是为分散主要人物，高潮是为集中主要人物，结局是为人物提供喜剧的未来。实际上，情节模式是一个“原点—分离—集中—回归原点”的过程。第二章论述了莎士比亚传奇剧的人物结构模式及其功能。分为两个小节，第一小节总结人物的基本结构模式，即：主人公、忠心的仆人、反面角色、转折性人物和超现实人物，共五大类型人物，以及这些典型人物的性格、背景特征。第二小节论述了人物结构模式在情节结构模式当中分别起到的特殊作用，即：主人公是悲剧的起因、忠心的仆人是主要人物的保护者、反面角色是情节的催化剂、转折性人物是喜剧性结尾的引子和超现实人物是传奇色彩的点缀。第三章主要对比了莎士比亚传奇剧在结构模式方面和希腊传奇、情节剧的关系。分为两个小节，第一小节论述了莎士比亚传奇剧对希腊传奇的继承与发展。第二小节对比了莎士比亚传奇剧与情节剧的异同之处。结论部分总结了莎士比亚传奇剧的情节和人物结构模式及其功能，并且指出莎士比亚传奇剧在文学史上的价值和地位。
[Abstract]:Shakespeare wrote four legendary dramas in his life, including Prince Tyr Peregris, the Winter Story, Simbeline, and the Storm. By comparing the existing six Greek legends with Shakespeare's, it is not difficult to find that Shakespeare's legendary plays contain almost all the typical elements of Greek legends. Starting with the two main lines of plot structure mode and character structure mode, this paper analyzes the relationship between the four plot nodes and the five major types of characters in drama. This thesis is divided into three parts: "the structure and function of Shakespeare's legendary drama", "the structure and function of Shakespeare's legendary characters", and "the relationship between Shakespeare's legendary drama and Greek legend and plot play". There are three major parts. The introduction part is a summary of the current research situation of Shakespeare's legendary dramas abroad and at home, as well as the introduction of the research methods and innovations of this article. From the point of view of the drama and play, it is mainly concentrated in the drama of the Storm, and in the aspect of the drama elements of the study, it is mainly focused on the study of the theme and the plot. The study of legendary plays both at home and abroad is a very weak link in the whole study of Shakespeare. The first chapter discusses the plot structure model and its function in Shakespeare's legendary plays. This chapter is divided into two sections, the first section summarizes the basic structure of the plot, namely: prehistory, conflict, climax and ending, a total of four plot nodes, as well as the narrative characteristics of each part of the plot node. The second section discusses the special role of the plot structure pattern in the character structure model, that is, the prehistory is the background of the tragedy for the characters, the conflict is to disperse the main characters, and the climax is to concentrate the main characters. The ending is the future of comedy for the characters. In fact, the plot pattern is a process of origin-separation-centralization-regression-origin. The second chapter discusses the character structure and function of Shakespeare's legendary play. It is divided into two sections. The first section summarizes the basic structural patterns of the characters, that is, the protagonist, the faithful servant, the villain, the turning and surreal characters, the five types of characters, and the characters and background characteristics of these typical characters. The second section discusses the special functions of the character structure pattern in the plot structure model, that is, the protagonist is the cause of the tragedy, the faithful servant is the protector of the main character, and the villain is the catalyst of the plot. The turning-off character is the introduction of the comedy ending and the surreal character is the legend embellishment. The third chapter mainly compares the relationship between Shakespeare's legendary drama and Greek legend and plot play. It is divided into two sections. The first section discusses the inheritance and development of Shakespeare's legendary drama to the Greek legend. The second section compares the similarities and differences between Shakespeare's legendary drama and plot play. The conclusion summarizes the plot, character structure and function of Shakespeare's legendary drama, and points out the value and status of Shakespeare's legendary play in the history of literature.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.073

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