《大地》与《红高粱》中的生态女性思想比较研究
发布时间：2019-03-06 16:53
【摘要】：本篇论文运用比较文学中的平行研究方法，从生态女性主义角度对赛珍珠的《大地三部曲》和莫言的《红高粱家族》进行了比较研究。两位作家尽管国籍不同，生活年代不同，但是两部作品均反映了二十世纪上半期旧中国大地上的农村生活风貌，同时都表达了对女性与自然的人文关怀，因此具备了可比性。 本文首先阐述比较文学平行研究和生态女性主义理论内涵。随后，本文从概念关系、经验关系和象征关系三方面详细阐释了女性和自然之间的联系，揭示两者共同的被剥削和被统治地位。之后，本文揭示了两部作品中父权制和殖民者对女性和自然的压迫，包括对女性身心的剥削和对自然无情的支配和破坏。此外，本文对比分析了两部作品中关于两性、人与自然矛盾的解决方法，以期加深对《大地三部曲》和《红高粱家族》的理解，丰富对两部作品的研究。 通过生态女性视角下的文本分析，，本文认为《大地三部曲》和《红高粱家族》揭露了男性与女性、人类与自然的二元对立是父权制下女性和自然压迫的思想根源；倡导了两性之间、人与自然之间的和谐以期摆脱女性和自然的困境；体现了不同文化背景下文学创作的普遍规律和精神价值。通过平行研究，本文认为不同的文化背景、性别和历史阶段造成了赛珍珠和莫言在解决两性、人与自然矛盾方面的差异。《红高粱家族》中女性和自然向父权制再次的妥协表明了莫言向现实的回归和通往普遍和谐世界的艰难。《大地三部曲》中女性最终实现了自我的内心和谐，实现了与男性和自然的和谐相处，表达了对理想未来的展望。
[Abstract]:This paper makes a comparative study of Pearl Buck's Terre Trilogy and Mo Yan's Red Sorghum Family from the angle of ecological feminism by using parallel research methods in comparative literature. Although the two writers have different nationalities and different living times, both of them reflect the rural life style of the old China in the first half of the 20th century, at the same time, they both express their humanistic concern for women and nature, so they are comparable. This paper first expounds the parallel study of comparative literature and the connotation of ecological feminism theory. Subsequently, this paper expounds the relationship between women and nature from three aspects: conceptual relationship, empirical relationship and symbolic relationship, and reveals the common exploitation and dominance of both women and nature. After that, this paper reveals the oppression of women and nature by patriarchy and colonists in the two works, including exploitation of women's body and mind and ruthless domination and destruction of nature. In addition, in order to deepen the understanding of the Terrestrial Trilogy and the Red Sorghum Family, this paper makes a comparative analysis of the solutions to the contradiction between the sexes, man and nature in the two works, and enriches the study of the two works in order to deepen the understanding of the Trilogy of the Earth and the Red Sorghum Family. Through the text analysis from the angle of view of ecological women, this paper holds that the Trilogy of the Earth and the Red Sorghum Family reveal men and women, and the dualistic opposition between human beings and nature is the ideological root of female and natural oppression under patriarchal system; It advocates the harmony between the two sexes and between man and nature in order to get rid of the dilemma of women and nature and embodies the universal law and spiritual value of literary creation under different cultural backgrounds. Through parallel studies, this paper argues that different cultural backgrounds, gender and historical stages have caused Pearl Buck and Mo Yan to solve the gender problem. The difference in the contradiction between man and nature. The compromise between women and nature to patriarchy in the Red Sorghum Family shows the return of Mo Yan to reality and the difficulty of reaching a world of universal harmony. Finally, Women in the Earth Trilogy To achieve self-harmony, Achieved harmony with men and nature, expressed the vision of the ideal future.
【学位授予单位】：南京航空航天大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106-03
本文编号：2435715
[Abstract]:This paper makes a comparative study of Pearl Buck's Terre Trilogy and Mo Yan's Red Sorghum Family from the angle of ecological feminism by using parallel research methods in comparative literature. Although the two writers have different nationalities and different living times, both of them reflect the rural life style of the old China in the first half of the 20th century, at the same time, they both express their humanistic concern for women and nature, so they are comparable. This paper first expounds the parallel study of comparative literature and the connotation of ecological feminism theory. Subsequently, this paper expounds the relationship between women and nature from three aspects: conceptual relationship, empirical relationship and symbolic relationship, and reveals the common exploitation and dominance of both women and nature. After that, this paper reveals the oppression of women and nature by patriarchy and colonists in the two works, including exploitation of women's body and mind and ruthless domination and destruction of nature. In addition, in order to deepen the understanding of the Terrestrial Trilogy and the Red Sorghum Family, this paper makes a comparative analysis of the solutions to the contradiction between the sexes, man and nature in the two works, and enriches the study of the two works in order to deepen the understanding of the Trilogy of the Earth and the Red Sorghum Family. Through the text analysis from the angle of view of ecological women, this paper holds that the Trilogy of the Earth and the Red Sorghum Family reveal men and women, and the dualistic opposition between human beings and nature is the ideological root of female and natural oppression under patriarchal system; It advocates the harmony between the two sexes and between man and nature in order to get rid of the dilemma of women and nature and embodies the universal law and spiritual value of literary creation under different cultural backgrounds. Through parallel studies, this paper argues that different cultural backgrounds, gender and historical stages have caused Pearl Buck and Mo Yan to solve the gender problem. The difference in the contradiction between man and nature. The compromise between women and nature to patriarchy in the Red Sorghum Family shows the return of Mo Yan to reality and the difficulty of reaching a world of universal harmony. Finally, Women in the Earth Trilogy To achieve self-harmony, Achieved harmony with men and nature, expressed the vision of the ideal future.
【学位授予单位】：南京航空航天大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106-03
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