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浅谈《万有引力之虹》的后现代特征

发布时间:2019-04-25 19:06
【摘要】:随着经济的飞速跃进和科技高度发达时代的带来,西方社会进入了后工业时期。生产力结构的突变将社会文化带入后现代氛围中,后现代主义文学由此在文学史上得到确立。两次世界大战的爆发,二战之后一系列战争和反战运动的兴起,以美国肯尼迪总统遇刺为代表的一连串政治事件的发生,科学技术的极大发展都让作家们看到了后现代社会的迷乱与癫狂。作家们发现,以往那些传统的小说表现手法,已经不能再准确表现出这个世界的破碎与凌乱,他们需要新的表现手法来展示这个世界混乱、癫狂的本质。在这样的社会背景之下,一大批具备新表现元素的后现代小说走入了读者的视野。后现代主义小说正是要“以破碎的艺术去对抗破碎的世界”,因此,后现代主义文学作品表现出强烈的实验性,在文本层面(而不是内容的深度和意义的明确)以鲜明的后现代特征确立其在文学舞台独特的地位。可以说后现代文学的实验性正表现在它对传统文学的破坏、消解和颠覆之上。在众多的后现代文学作品中,《万有引力之虹》以其文本的庞杂繁复和表现手法的多变,强烈地挑战着读者的阅读极限,具有后现代文学的多种特征。这部长达800多页的作品,包含了400多个人物,曲折变化的情节最终走向了碎片似结尾,众多的人物却没有一个是贯穿文本的主角。本文试图从文本细读的角度来分析《万有引力之虹》的后现代特征,希望通过对小说主题特征和写作手法的分析,结合与这个作品同时代的其他后现代代表作的分析,来论证这部作品为多数评论者注意但却没有一个整体性分析的后现代文学特征。 全文共包含五个部分,分为绪论;《万有引力之虹》主题的后现代特征;《万有引力之虹》的结构艺术;《万有引力之虹》中的后现代表现手法以及结语。其中绪论将简要交代后现代文学的历史背景,代表作品和主要特征,以及《万有引力之虹》的国内外研究情况。第一章《万有引力之虹》主题的后现代特征,主要从小说主题的非单一性以及多个主题之间相互印证与加强的视角,探讨后现代小说主题的鲜明特征。第二章《万有引力之虹》的结构艺术,主要重点分析小说的迷宫结构具备的后现代魅力,以及拼贴和蒙太奇艺术手法对小说文本结构的建造。第三章重点探讨《万有引力之虹》中的后现代表现手法,以此分析其具备的后现代主题特色。结语将对全文做一个简要概述,目的在于归纳论文的阐述重点以及得出的结论。
[Abstract]:With the rapid development of economy and the development of science and technology, Western society has entered the post-industrial period. The sudden change of productive force structure brings the social culture into the post-modern atmosphere, and the post-modernism literature is established in the history of literature. The outbreak of two world wars, the rise of a series of wars and anti-war movements after World War II, the occurrence of a series of political events represented by the assassination of President Kennedy of the United States, The great development of science and technology makes writers see the confusion and madness of post-modern society. The writers found that the traditional novel expression methods can no longer accurately show the fragmentation and chaos of the world, and they need new expressions to show the chaos and madness of the world. Under such a social background, a large number of postmodern novels with new elements of expression have entered the reader's field of view. The post-modernist novel is just to "fight the broken world with the broken art". Therefore, the post-modernist literary works show strong experiment. At the text level (rather than the depth and meaning of the content), it establishes its unique position on the literary stage with distinct post-modern characteristics. It can be said that the experiment of post-modern literature is manifested in its destruction, resolution and subversion of traditional literature. Among the many post-modern literary works, the Rainbow of Gravity, with its complicated and varied texts, strongly challenges readers' reading limits and has many characteristics of post-modern literature. This 800-page work, which contains more than 400 characters, ends with twists and turns, but none of the characters are the protagonists throughout the text. This paper attempts to analyze the post-modern features of the Rainbow of Gravity from the perspective of text reading, hoping to analyze the theme features and writing techniques of the novel and combine the analysis of other post-modern representative works at the same time with this work. To prove that this work is paid attention to by most commentators but does not have a holistic analysis of the post-modern literary characteristics. The thesis consists of five parts: the introduction; the post-modern features of the theme of the Rainbow of Gravity; the structural art of the Rainbow of Gravity; the postmodern techniques of expression and the concluding remarks in the Rainbow of Gravitation. The introduction will briefly explain the historical background of post-modern literature, representative works and main features, as well as the domestic and foreign research situation of the Rainbow of Gravity. In the first chapter, the post-modern features of the theme of "the Rainbow of Gravity" are discussed from the perspective of the non-singleness of the theme of the novel and the mutual corroboration and strengthening of the themes among the themes, and the distinctive features of the theme of the post-modern novel are discussed. The second chapter, the structure art of the Rainbow of Gravity, focuses on the postmodern charm of the labyrinth structure of the novel, as well as the construction of the text structure of the novel by collage and montage techniques. The third chapter focuses on the post-modern techniques of expression in the Rainbow of Gravity, and then analyzes the features of the post-modern themes. The conclusion will give a brief overview of the full text, in order to summarize the focus of the paper and the conclusions.
【学位授予单位】:四川师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I712.074

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