从文体视角看《了不起的盖茨比》

发布时间：2021-08-15 23:46

　　文学文体学是连接语言学和文学批评的桥梁。基于对文学语言现象的客观描述,文学文体学探索作品的主题意义和美学效果如何通过不同的语言选择来实现和增强,从而有助于提供一种更为客观的文学作品的阐释和鉴赏方式。从文体学角度看,文学文本的价值在于形式和内容的统一,因此,文学文体学专门研究表现主题的文学语言的选择。就小说而言,文学语言的形式涉及宏观和微观两个层面。微观层面的文体分析审视诸如词汇特征、语法特征、修辞手段、语境和句间照应等; 宏观层面的文体分析则研究构建整部作品的方式,包括小说的叙述视角和人物话语的不同表达形式。本篇论文以《了不起的盖茨比》的详细文体分析为范例,试图阐明一部小说的主题意义和美学效果是如何通过作者的语言选择和叙述技巧得以实现的,从而证明较为全面的文体观念有助于更好,更深刻地理解叙述作品的主题和文学意义。通过从文体学角度分析揭示《了不起的盖茨比》的风格特点,我们可以肯定,文体分析,既培养了我们对语言使用的敏感度,又为文学鉴赏铺平了道路。因此,将文体学引入到文学阐释和鉴赏中,使文学批评家具备适当的文体分析能力是大有用处、也是及其必要的。 

【文章来源】：福州大学福建省 211工程院校

【文章页数】：88 页

【学位级别】：硕士

【文章目录】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Chapter 1 Introduction
    1.1 F. Scott Fitzgerald and The Great Gatsby
        1.1.1 The Theme of The Great Gatsby
    1.2 The Purpose of This Investigation
    1.3 Literary Stylistics as A Discipline
    1.4 The Structure of This Thesis
Chapter 2 An Overview of Literary Stylistics
    2.1 Literary Language
        2.1.1 Foregrounding Theory
    2.2 Detecting Literary Significance from Linguistic Form: An Example
    2.3 Dimensions in Stylistic Analysis of Fiction
        2.3.1 A Checklist from A Micro Perspective
        2.3.2 Macro Dimensions
            2.3.2.1 Point of View
                2.3.2.1.1 Third-person Point of View
                    2.3.2.1.1.1 Omniscient Third-person Point of View
                    2.3.2.1.1.2 Limited Omniscient Third-person Point of View
                    2.3.2.1.1.3 Objective Third-person Point of View
                2.3.2.1.2 First-person Point of View
                2.3.2.1.3 Shift of Point of View
            2.3.2.2 Speech Presentation
                2.3.2.2.1 Direct Speech (DS) and Indirect Speech (IS)
                2.3.2.2.2 Free Direct Speech (FDS) and Free Indirect Speech (FIS)
                2.3.2.2.3 Narrative Report of Speech Acts (NRSA)
Chapter 3 Stylistic Analysis of The Great Gatsby
    3.1 Micro Perspective of The Style of The Great Gatsby
        3.1.1 Lexical Features
            3.1.1.1 Lexical Items and The Depiction of American Society
            3.1.1.2 Lexical Features and Characterization
                3.1.1.2.1 Lexical Clusters
                3.1.1.2.2 Lexical Clusters and Depiction of Gatsby
                3.1.1.2.3 Lexical Clusters and Depiction of Tom Buchanan
            3.1.1.3 Lexical Deviation
            3.1.1.4 Word Connotations and Thematic Significance
                3.1.1.4.1 Color Connotations
                3.1.1.4.2 Guest List and Its Connotations
        3.1.2 Syntactical Features
            3.1.2.1 Narrative Sentence Type
            3.1.2.2 Contrasts of Registers
            3.1.2.3 Phrasal Level
                3.1.2.3.1 The Repeated Use of Appositional Phrase
                3.1.2.3.2 The Use of Prepositional Phrase
    3.2 Macro Perspective of The Style of The Great Gatsby
        3.2.1 Aspect of Point of View
            3.2.1.1 Limited First-person Witness Narrative
            3.2.1.2 Some Shifts of Narrative Perspective
                3.2.1.2.1 Narrating I & Experiencing I
                3.2.1.2.2 Alternating Third-person Point of View
                3.2.1.2.3 Switching to Second-person Point of View
        3.2.2 Modes of Speech Presentation
            3.2.2.1 Direct Speech (DS)
            3.2.2.2 Indirect Speech (IS)
            3.2.2.3 Free Indirect Speech (FIS)
            3.2.2.4 Free Direct Speech (FDS)
            3.2.2.5 Narrative Report of Speech Acts (NRSA)
Conclusion
Bibliography
个人简历


【参考文献】：
期刊论文
[1]叙事小说的语言形式与文学意义[J]. 封宗信.  外国语(上海外国语大学学报). 2000(04)
[2]现代文体学研究的90年[J]. 徐有志.  外国语(上海外国语大学学报). 2000(04)
[3]西方现代文体学百年发展历程[J]. 申丹.  外语教学与研究. 2000(01)
[4]有关小说中人物话语表达形式的几点思考[J]. 申丹.  外语与外语教学. 1999(01)



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