论新时期以来戏剧中的疯癫形象（文学）.pdf 免费在线阅读前50页

  本文关键词：论新时期以来戏剧中的疯癫形象，由笔耕文化传播整理发布。

网友静雨蓝梦近日为您收集整理了关于论新时期以来戏剧中的疯癫形象（文学）的文档，希望对您的工作和学习有所帮助。以下是文档介绍：学校代码: 11658 学号: 200905010608分类号: I206.7 密级: 无硕士学位论文论新时期以来戏剧中的疯癫形象作者姓名杨春梅学科专业中国现当代文学研究方向中国当代文学指导教师张琦申请学位类别文学硕士提交日期二○一三年三月A study on the madness imagesIn The New era dramaA Dissertation Submitted for the Degree of MasterCandidate:Yang ChunmeiSupervisor:ZhangqiHainan Normal UniversityHaikou, ChinaI摘要新时期以来中国的政治、经济、文化发生了重大变化,中国社会正在向着现代社会全面转型。与此同时,新时期以来戏剧中的疯癫形象频繁出现,如八十年代著名的话剧《天才与疯子》中的任渺及《狗儿爷涅槃》的狗儿爷,还有《桑树坪纪事》中的青女到了九十年代有过士行的《鸟人》中的三爷,《一个无政府主义者的意外死亡》中的疯子,《恋爱的犀牛》中的马路,《坏话一条街》中的神秘人等等,这些疯癫形象,作为新时期以来戏剧中一种特别的人物形象,为什么会如此频繁地出现?期间有没有随着社会文化的转型而发生转变?这是本文将要探讨的问题。在本文中将对新时期以来戏剧文本中的疯癫形象进行归纳、分类。结合时代的变迁、社会文化价值的取向等方面探讨新时期以来戏剧中疯癫形象的演变,在此过程中,同时也解释了疯癫形象为何会发生转变的缘由。最后从疯癫形象的批判精神的传承与审美意蕴的拓展这两个方面,探讨新时期以来疯癫形象的文学史意义。期望能呈现出新时期以来的戏剧中疯癫形象的整体、全面的风貌和特色。总之,新时期以来戏剧中的疯癫形象,随着社会转变,社会文化价值的取向的变化而发生变化,首先,疯癫形象具有的启蒙精神全面削减,剧作家通过疯癫形象的喜剧精神、荒诞色彩的塑造,使疯癫形象具有戏谑化的特征,以此达到既批判社会又迎合了观众的趣味。在探讨新时期以来戏剧中疯癫形象的文学史意义的过程中,我们又会发现,新时期以来戏剧疯癫形象的批判精神有着历史的渊源。新时期以来戏剧中的疯癫形象,其关于人物形象的混杂、立体的彰显;身份主题书写的层出不穷;表现手法与戏剧结构的创新;人物语言的反讽,在一定程度上拓展了疯癫形象的审美意蕴。关键词:疯癫形象;身份;启蒙;演变;意义IIIIIAbstractsince the new era,China's political, economic cultural, has undergone major changes,Chinese society is moving towards modern society. At the same time, the madness image inthe new era drama frequently appeared, for example, In 1980s,the RenMiao in the drama"genius and madman",the Gouerye in the drama “Gouerye's Nirvana” and The Qingnv in thedrama “Sangshuping Chronicle” and so on. In 1990s,the Sanye in the GuoShihang’drama“bird man”,the madman in the drama“Accidental Death of an Anarchist”,the MaLu in thedrama “The Rhino in love” and the Mystery man in the drama “The Cuss”,etc. All thesemadness images was a special characters in the new period drama,why they are so frequentlyappeared? whether they have a change follow the transformation of the social and thecultural? This paper will explore the problem.In this paper,we will be summarized and classified the image of madness in the scriptof the new era. we are investigate the shift of the image of madness in the new period dramawhich bined with the Changing times,the social cultural value orientation. In thisprocess,we also explained the reason why madness image shift. Finally,the significance of themadness image of literary history were explored that from the two aspects of the madnessimage that is the critical spirit and the aesthetic implications since the new era.we hope todescribe a prehensive style and features about the madness image in the new eradrama.In short,the madness image in the new period drama,which were changed with thesocial and the social cultural values orientation tranformation. First of all,the spirit ofenlightenment possessed by the madness image has widely descreased. The dramatist hascreated edy spirit and the absurd color of the madness image,make the madnessimage with banter characteristics,in order to critical social and caters to the audience tastes.In the process to explore the significance of the madness image

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  本文关键词：论新时期以来戏剧中的疯癫形象，由笔耕文化传播整理发布。