人学精神:话剧突围的内在驱动力

发布时间：2017-12-28 18:06

本文关键词：人学精神:话剧突围的内在驱动力　出处：《民族艺术研究》2016年03期 　论文类型：期刊论文

【摘要】：当下中国话剧的原创剧目相对羸弱,是由于戏剧文学创作相对滞后造成的,而背后的原因则在于戏剧的人学精神的迷失。戏剧的人学精神至少可从四个维度体现出来:首先是直面社会问题,关注现实人生。戏剧反映现实人生、聚焦社会问题本是其最基本的文化功能。其次是展开历史反思,叩问人性隐秘。通过反思历史激发当下意义,通过对历史的戏剧性表达叩问人性的复杂与隐微,这是体现话剧的人学精神的题中应有之义。其三是坚持文化批判,追求诗性哲思。坚持理智而现代的文化批判立场以启迪观众的智慧,通过人类视角下的文化批判传达诗意与哲理,这应该是话剧创作更高的境界。最后是优化审美形态,探索美学建构。悲剧精神与喜剧精神不同程度地被解构、结局处理的模式化和舞台呈现的奇观化是制约当下话剧美学建构的主要因素。
[Abstract]:The Chinese drama original dramas is relatively weak, is because of the drama literature relatively lagging behind, and the reason behind it is that the human spirit lost drama. The spirit of drama can be reflected from at least four dimensions: first, to face the social problems and to pay attention to the real life. The most basic cultural function is drama reflecting the real life and focusing on the social problems. The second is to reflect the history of human inquiry, secret. The significance of excitation through reflection of history, complex and esoteric through the history of dramatic expression of human inquiry, this is the proper meaning of the drama of the human spirit in the. The third is to adhere to the cultural criticism, the pursuit of poetic thinking. Adhering to the rational and modern cultural critical position to enlighten the audience's intelligence and convey the poetics and philosophy through cultural criticism from the perspective of human beings, this is a higher level of drama creation. The last is to optimize the aesthetic form and explore the aesthetic construction. The deconstruction of tragic spirit and comedy spirit to different degrees, the modeling of ending processing and the spectacle of stage show are the main factors that restrict the aesthetic construction of modern drama.
【作者单位】：河南大学文学院;
【分类号】：J824
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