格洛托夫斯基在中国的影响及得失

发布时间：2018-01-01 16:05

本文关键词：格洛托夫斯基在中国的影响及得失　出处：《山西师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：格洛托夫斯基是波兰戏剧大师,在他的戏剧创作中,格氏创造了许多新式戏剧方式,并且倡导许多独特的戏剧观念,对中外戏剧家有很大的触动。随着中国对外开放程度的加大,格洛托夫斯基的戏剧观念也逐渐被戏剧家介绍到中国。在中国从导演、编剧、演员到普通的学生,许多人都受到了格洛托夫斯基的影响。本文将运用比较文学影响研究的方法,研究格洛托夫斯基对中国各个艺术领域的影响。本论文主要分为四个部分,着重分析国内各界受到格洛托夫斯基影响的导演、演员、话剧、编剧等等,研究格氏在中国的存在。引言部分主要介绍格洛托夫斯基本人及其戏剧理论,及其在中国的影响和研究意义。正文第一部分,分析格氏在中国的影响,主要从大陆和港台着手,大陆以林兆华、牟森、冯远征为例来阐明；港台则分别从香港的邓树荣、台湾的刘静敏、钟明德和芮斯来做研究。导演林兆华,主要从他的戏剧《绝对信号》中,寻找其所吸收的格氏新方法。比如林兆华戏剧中很重视演员与观众,同时他还提倡话剧的演出要用小剧场的形式,这些与格氏的戏剧观念非常相似。牟森导演,则是国内学习格氏理论比较疯狂而执着的一个,他将格氏的戏剧理论付诸实践,在他的话剧中随时都可以发现格氏的影子。此外是演员冯远征,他是中国学习格氏比较早的一位,冯远征在运用格氏的戏剧方法上比较理性、温和；2013年到北电任教的冯远征开始教授学生格氏表演方式,他希望演员在表演中要让每一个动作都置于作品的总谱中。香港戏剧家有邓树荣导演,其吸收格氏戏剧理论,注重演员的训练,邓树荣是中国学习格氏理论比较成功的一个,我们将从他的作品中去分析。最后分析台湾戏剧,由于台湾有刘静敏和陈伟成,他们是格氏的嫡传弟子,正面的接触过格氏,所以他们对格氏的引进比大陆更加系统而全面,这个我们将从“优人神鼓”来作分析和研究。因此在台湾受二者的影响,格氏理论在台湾的戏剧中有一定的延伸,这个在对台湾歌手芮斯和学者钟明德的作品研究中体现的比较彻底。第二部分,主要反思格氏戏剧在中国的得失。“得”主要从格氏戏剧理论带给中国戏剧的新活力来分析,比如林兆华、高行健注重观众和剧场,通过恰当把握戏剧理论并结合中国实际,创作出令人满意的作品。香港戏剧家邓树荣重视演员的身体训练法,其作品更是享誉海外,台湾戏剧家刘静敏和陈伟成主要是沿袭格氏的“艺乘”,在台湾也得到了一定的赞誉。而“失”主要从牟森戏剧的问题出发,过于轻文本,而对戏剧剧本进行盲目的消解。此外他的戏剧偏向导演中心论,这也让他的戏剧失去了观众和市场。结语部分,对格氏在中国的影响及其影响的延伸做了思考和探讨。
[Abstract]:Grotowski is a Polish drama master, in his drama creation, Griff created many new ways of drama, and advocated many unique concepts of drama. With the opening up of China to the outside world, Grotowski's concept of drama has gradually been introduced to China by dramatists. In China, from directors, writers, actors to ordinary students. Many people have been influenced by Grotowski. This paper will study the influence of Grotowski on every field of Chinese art by using the method of comparative literature influence. This thesis is divided into four parts. Focus on the analysis of the domestic community by Grotowski's influence of directors, actors, drama, screenwriters, and so on, to study the existence of Grotovsky in China. The introduction mainly introduces Grotowski himself and his drama theory. The first part of the text analyzes the influence of GE in China, mainly from the mainland and Hong Kong and Taiwan, the mainland with Lin Zhaohua, Mu Sen, Feng Yuanzheng as an example to illustrate; Hong Kong and Taiwan did research from Hong Kong's Deng Shurong, Taiwan's Liu Jingmin, Chung Mingde and Ruiz respectively. Director Lin Zhaohua, mainly from his play absolute signal. Look for new ways of absorbing Grimm. Lin Zhaohua, for example, attaches great importance to actors and audiences in his plays, and he also advocates the use of small theatres for the performance of drama, which is very similar to Grimm's concept of drama. It is a crazy and persistent one to study the theory of GE in China. He put his drama theory into practice, and he can find the shadow of GE at any time in his drama. In addition, actor Feng Yuanzheng. He was one of the early scholars in China, and Feng Yuanzheng was more rational and gentle in the use of GE's dramatic methods. In 2013, Feng Yuanzheng, a Hong Kong dramatist and director of the Hong Kong dramatist, began teaching his students how to perform. Deng Shurong is one of the most successful Chinese learners of Gerald's theory. We will analyze it from his works. Finally, we will analyze Taiwan drama. Because Taiwan has Liu Ching-min and Chen Weicheng, who are Gessie's first disciples and have had direct contact with Gehlet, their introduction of GE is more systematic and comprehensive than that of mainland China. We will analyze and study this from "superior human spirit drum". Therefore, in Taiwan, under the influence of both, the theory of Grignard has a certain extension in Taiwan's drama. This is reflected thoroughly in the study of the works of Taiwanese singer Ruiz and scholar Zhong Mingde. Part two. This paper mainly reflects on the gains and losses of GE's drama in China. "gain" is mainly analyzed from the new vitality brought by GE's drama theory to Chinese drama, such as Lin Zhaohua and Gao Xingjian, who pay attention to audience and theater. Hong Kong dramatist Tang Shu-wing attaches great importance to the physical training of actors and his works are well known overseas by properly mastering the theory of drama and combining with the reality of China. Taiwanese dramatists Liu Ching-min and Chen Weicheng mainly follow GE's "art ride", which has also won some praise in Taiwan. The "loss" is mainly based on the drama of Mu Sen, too light text. In addition, his drama is biased towards the director-centered theory, which also makes his drama lose the audience and the market. Conclusion. This paper discusses the influence of Grimm in China and its extension.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J805

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