京剧服饰审美中的满族意识与符号意义

发布时间：2018-01-07 00:09

本文关键词：京剧服饰审美中的满族意识与符号意义　出处：《东华理工大学》2012年硕士论文　论文类型：学位论文

【摘要】：京剧是我国戏曲百花园中一枝绚丽多彩的花朵，它以丰富的文化内涵、独特的表演程式、鲜明的艺术语言成为中国的国粹。京剧舞美是京剧表演中一个必不可少的环节，而服饰是京剧舞美中的一个重要组成部分，由于色彩、纹样和质地的不同，及穿戴的不同搭配，使整个戏衣显得丰富多彩，富有表现力。京剧产生于清代中后期，此时满族处于统治地位，在研究京剧服饰时发现戏衣中融入大量的满族服饰元素，二者之间存在着极大的融合性。就现有对京剧服饰的研究著作涉及戏剧学、色彩学、艺术学、美学等诸多学科，以不同视角对其进行研究，取得了显著成果。但相比之下两者之间，尤其在审美视域下，在京戏戏装中体现的满族意识及符号意义等方面的研究则寥寥可数。因此本文将满族服饰元素与其进行有机结合，作全面深入的专题研究。本论文由导言、正文、结语、参考文献以及附录等部分组成。导言部分由选题缘由、研究对象与方法、创新与价值意义及难点应对等构成，并简略地阐述京剧服饰及有关满族服饰元素的研究现状。第一章对满族服饰的典型元素问题进行探讨，对满族服饰的发展与流变进行梳理，重点对满族服饰的典型元素与特征进行分析，目的在于分析清代满族服饰的产生与发展的历史背景，总结历史演变规律，为后文研究作必要的理论铺垫。第二章对满族服饰的典型元素在京剧服饰中的运用进行分析，这是与以往研究相比较新颖的部分，探讨满族服饰元素在京剧四大行当服饰中的运用并分析各行当服饰审美特点。第三章对京剧服饰审美中的满族意识与符号意义进行重点阐述，这是以往研究中的薄弱环节，也是本文的重点和难点部分。阐述京剧服饰审美中体现的满族意识，，探讨了满族服饰元素在京剧服饰运用中的符号意义。结语部分重申了本文的研究价值，通过对京剧服饰与满族服饰及带有连带关系元素相互渗透的分析与探讨，对京剧服饰中满族民族特色进行分析，揭示蕴藏在京剧服饰中的满族意识及符号意义。
[Abstract]:Beijing Opera is a colorful flower in the hundred gardens of Chinese opera. It is rich in cultural connotation and unique performance program. The distinctive artistic language becomes the quintessence of China. Beijing opera dance is an indispensable link in the Beijing opera performance, and the dress is an important part of the Beijing opera dance beauty, because of the difference of color, pattern and texture. The different collocation of wearing makes the whole costume colorful and expressive. Beijing Opera originated in the middle and late Qing Dynasty, at this time Manchu is in the dominant position. When studying the costumes of Beijing Opera, it is found that a large number of Manchu dress elements are incorporated into the costumes, and there is a great fusion between the two. On the existing research works on Beijing Opera clothing involving drama, color, art, aesthetics and many other disciplines, with different perspectives to study it, has achieved remarkable results, but in contrast between the two. Especially in the aesthetic field of view, the Manchu consciousness and symbolic significance reflected in the Beijing opera costumes are few, so this paper combines the Manchu dress elements with it organically. Make a comprehensive and in-depth research on the subject. This thesis is composed of introduction, body, conclusion, reference and appendix. The introduction part is composed of the reason of selecting the topic, the research object and method, the innovation and the value meaning and the difficulty to deal with, and briefly expounds the research status of the dress of Beijing Opera and the elements of Manchu costume. The first chapter discusses the typical elements of Manchu clothing, combs the development and evolution of Manchu clothing, and focuses on the analysis of the typical elements and characteristics of Manchu clothing. The purpose is to analyze the historical background of the emergence and development of Manchu costume in Qing Dynasty, summarize the law of historical evolution, and make a necessary theoretical foundation for the later research. The second chapter analyzes the typical elements of Manchu costume in the application of Beijing Opera clothing, which is a relatively new part compared with previous research. This paper probes into the application of Manchu dress elements in the four major business costumes of Beijing Opera and analyzes the aesthetic characteristics of each. The third chapter focuses on the Manchu consciousness and symbolic significance in the costume aesthetic of Beijing Opera, which is the weak link in the previous research. It is also the key and difficult part of this paper. This paper expounds the Manchu consciousness embodied in the costume aesthetics of Beijing Opera, and probes into the symbolic significance of Manchu costume elements in the application of Beijing Opera costume. The conclusion part reiterates the research value of this paper, through the analysis and discussion of the permeation of the costumes of Peking Opera and Manchu costumes and the elements with continuous relationship, the characteristics of Manchu nationality in the costumes of Beijing Opera are analyzed. Reveal the Manchu consciousness and symbolic significance in Beijing Opera costume.
【学位授予单位】：东华理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J816

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