论“西部京剧”创作的得与失

发布时间：2018-01-12 02:15

本文关键词：论“西部京剧”创作的得与失　出处：《戏曲艺术》2014年02期 　论文类型：期刊论文

【摘要】：自20世纪中期以后,甘肃、青海省京剧界自觉尝试将地域文化资源应用于传统京剧中,创建出极富特色的"西部京剧"。截至目前,两省已积累了相当数量且在全国有一定影响的剧目。但是对"西部京剧"的地域化形态特征之理论总结与研究还显得相对"滞后",一定程度上影响了创作实践的良性发展。本文针对有些人对创建地域流派京剧的异议,首先从理论上说明了创建"西部京剧"的可行性,然后从作品出发,分析"西部京剧"在音乐、舞美、服装、题材等方面的审美特征,并指出其得与失。
[Abstract]:Gansu since twentieth Century after the middle of Qinghai Province, the Peking opera will consciously try to regional cultural resources used in traditional opera, creating a distinctive "Western opera". As of now, two provinces have accumulated a considerable number and in the country have a certain influence of the repertoire. But for "Western opera" regional characteristics the theory summary and research is relatively lag, to a certain extent affected the healthy development of creative practice. In this paper some people to create schools of regional opera dissent, first theoretically demonstrates the feasibility of creating a "Western opera", and then starting from the works, analysis of "Western opera" in music, dance, fashion, aesthetic features and other aspects of the subject, and points out its gains and losses.

【作者单位】：兰州大学文学院;
【分类号】：J821
【正文快照】： 在京剧发展历程中,从20世纪中叶起,逐渐出现了一些旗帜鲜明地打造和建设地方京剧流派的戏剧实践活动,并大有愈演愈烈之势,对此,有人赞许,有人反对。甘肃等地在这股热潮中,不仅提出了“西部京剧”的概念,而且以一系列颇具分量的作品引起了世人的关注。本文试图以西部京剧为切入

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