中国民族歌剧表演与戏曲表演比较研究

发布时间：2018-01-14 14:15

本文关键词：中国民族歌剧表演与戏曲表演比较研究　出处：《河南大学》2012年硕士论文　论文类型：学位论文

【摘要】：中国民族歌剧在其发展过程中，不仅在艺术形式上借鉴了西洋歌剧的某些表现元素，同时吸收并融合传统戏曲的优秀表演理论，形成独树一帜的剧坛新秀。本文以中国民族歌剧与传统戏曲的表演比较为研究对象，梳理戏剧、戏曲、音乐戏剧及民族歌剧的相互关联，结合传统戏曲与民族歌剧的表演特征，探求民族歌剧与传统戏曲之间在表演方面的差异及内在的联系，以期为当下中国民族歌剧在表演方面的理论探索提供些许参考。本文分为绪论、正文、结论三个部分。绪论部分，简要梳理中国民族歌剧的发展过程，并回顾学界对中国民族歌剧的研究现状。正文分为四章。第一章：中国民族歌剧的概念及范畴。分别对戏剧艺术、音乐戏剧、戏曲艺术及中国民族歌剧进行概念的梳理及范畴的界定。第二章：传统戏曲与中国民族歌剧表演的表现特征。从传统戏曲表演的“四功、五法”到中国民族歌剧表演的“声、台、形、表”进行深入的探究。第三章：中国民族歌剧与传统戏曲艺术表演之比较。通过对比两者在音乐唱腔上的差异来审视其在主体情感及审美诉求上的不同，并对两者在表演形式所凸显出的“放大”与“夸张”的特性来进行整体阐释。第四章：中国民族歌剧对戏曲表演的传承与借鉴。结合当下中国民族歌剧对传统戏曲表演理论的舞台转换，通过发掘民族歌剧演员对戏曲表演技法的传承借鉴，试图对中国民族歌剧演员培养模式提出新的思路和方法。结论部分，对中国民族歌剧进行学理性总结，并对其艺术表现形式进行总结。
[Abstract]:In the course of its development, Chinese national opera not only draws lessons from some performance elements of Western opera in its artistic form, but also absorbs and integrates the excellent performance theory of traditional opera. This article takes the performance comparison of Chinese national opera and traditional opera as the research object, combing the correlation of drama, drama, musical drama and national opera. Combined with the performance characteristics of traditional opera and national opera, this paper explores the differences and internal relations between traditional opera and traditional opera. In order to provide some reference for the present Chinese national opera in the performance of theoretical exploration. This paper is divided into three parts: introduction, text and conclusion. Introduction, briefly combing the development of Chinese national opera, and reviewing the current situation of academic research on Chinese national opera. The text is divided into four chapters. Chapter one: the concept and category of Chinese national opera. The second chapter: the performance characteristics of the traditional opera and the Chinese national opera performance, from the traditional opera performance "four merits, five methods" to the Chinese national opera performance "sound, stage, shape, table" in-depth exploration. The third chapter: the comparison between the Chinese national opera and the traditional opera art performance. By comparing the differences between the two in music singing to examine the main emotional and aesthetic demands of the different. It also explains the characteristics of magnification and exaggeration in the form of performance. Chapter 4th: the inheritance and reference of the Chinese national opera to the opera performance. The stage transformation of the traditional opera performance theory combined with the present Chinese national opera. By exploring the inheritance and reference of national opera actors to the opera performance techniques, this paper tries to put forward new ideas and methods for the training mode of Chinese national opera actors. In the conclusion part, the author summarizes the Chinese national opera and its artistic expression.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822

【参考文献】