论大众化视域下经典剧作之改编

发布时间：2018-01-17 20:26

本文关键词：论大众化视域下经典剧作之改编　出处：《学术交流》2015年05期 　论文类型：期刊论文

【摘要】：1945年著名剧作家吴祖光先生的经典之作——话剧《风雪夜归人》,在抗战时期的政治与文化中心——重庆首演。它以传统的戏子与姨太太的"艳情"故事为依托,重拾启蒙话题,引发世人思考"人为什么活着"这一哲学命题。2013年费守疆先生以崭新的艺术形式和传统艺术流派相结合,将之改编为新评剧《风雪夜归人》,在大众化视域下,对人物设置、情节结构、主题开掘进行了相应的改编,挖掘出时代新的着力点——对民间意识的关注和对"有意识的意识"的淡化。既契合了当今文化语境的特色,同时又秉承了吴祖光先生戏剧创作的一贯理念,印证了经典的价值,凸显了名剧改编和传播背后深藏的文化意义,探求了文艺传播与改编大众化的问题。
[Abstract]:In 1945 the famous dramatist Mr. Wu Zuguang's classic play "Snow and Snow Night". Chongqing premiered in the political and cultural center during the War of Resistance against Japan. It was based on the story of the traditional opera actor and aunt's "love", and resumed the topic of enlightenment. "Why people live" is a philosophical proposition. In 2013, Mr. Fei Shoujiang combines the new art form with the traditional art schools, and adapts it to the new review drama "returning to the Snow and the Night". In the popular field of view, the characters set, plot structure, the theme of the corresponding adaptation. Dig out the new focus of the times-the attention to folk consciousness and the desalination of "conscious consciousness". It not only accords with the characteristics of the cultural context, but also inherits the consistent idea of Wu Zuguang's drama creation. It confirms the value of the classics, highlights the cultural significance behind the adaptation and dissemination of famous dramas, and explores the problems of the popularization of literary and artistic communication and adaptation.
【作者单位】：信阳职业技术学院语言与传媒学院;
【分类号】：J805
【正文快照】： 中国戏剧家协会理事、黑龙江省戏剧家协会副主席、一级编剧费守疆先生将吴祖光经典话剧《风雪夜归人》与传统评剧艺术完美地结合改编成同名现代新评剧,在黑龙江省评剧院舞台上公演并取得了极大的成功,获得第八届中国评剧艺术节“优秀剧目奖”,主演王向阳获“优秀表演奖”。剧

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