辰河目连戏之探究

发布时间：2018-01-18 00:18

本文关键词：辰河目连戏之探究　出处：《河南大学》2012年硕士论文　论文类型：学位论文

【摘要】：历经了八百余年历史沧桑的目连戏，作为一种奇特的文化现象，它以丰富的内涵，受到了人们越来越多的关注。在中华民族的历史文化长河中，它不愧为一朵绚丽多彩的浪花。在漫长的岁月里，，目连戏的繁茂枝叶，曾覆盖着华夏大地，继而又飘落到异国他乡。作为一种古老的戏剧艺术，它旺盛的生命力，在浩瀚的人类文化史中，也是不多见的。历史老人的面目，为岁月的烟云笼罩，变得朦胧而神秘。目连戏的情形正是如此。人们充满着好奇心，纷纷向这一领域涉猎。于是，“目连戏热”在中外学术界形成。近年来，人们惊讶地发现，一个庞大的目连戏家族，至今仍然在华夏广袤的土地上残存着。随着研究的深入，对于当初这个庞大家族的形成，人们留下了许多思索。作为伴随祭祀演出的目连戏，在当时处于封建社会的中国，有着极其广泛的适应性。它适应了当时中国人宗教的、民族的、社会的普遍文化心理，而各地千差万别的地域文化特征，又给目连戏注入了新鲜的血液，使它充满生机与活力，在天南地北生根、发芽、开花、结果，这就是目连戏在各地的地方化过程。众多地方化了的目连戏相继出现，组成了庞大的目连戏家族。这一家族的每一个成员，各自都与当地的历史文化有着至为密切的关系。它如同一面镜子，当地的社会生活、风土人情无不反映其中，成为一方土地的百科全书。而众多的地方化了的目连戏汇合在一起，便又组成了中国漫长的封建社会中晚期历史文化千姿百态的万花筒。因此，对于目连戏的研究，已经远远超出了它作为一种戏曲艺术的本身。笔者认为，它与所有地方化了的目连戏一样，也将自己一方土地长达数百年的社会生活，风土人情作了真实而生动的记录。它作为一种与人们群众息息相关的艺术，有着极其丰富的历史文化内涵。由于辰河目连戏至今仍然较完整地保留着它的古朴风貌，为对这方面的研究提供了得天独厚的条件。本文从音乐的角度对辰河目连戏进行考察,对其内涵与艺术特点做了总结概括，并从非物质文化遗产保护的角度对辰河目连戏的继承与发展提出了见解。
[Abstract]:After more than 800 years of historical vicissitudes of life, as a strange cultural phenomenon, it has been paid more and more attention to by people with rich connotation, in the long history and culture of the Chinese nation. It is worthy to be a colorful spray. In the long years, the luxuriant branches and leaves of Mutian Opera, once covered the land of China, then fell to another country. As an ancient drama art. Its exuberant vitality, in the vast history of human culture, is rare. The history of the face of the elderly, for the years of smoke. Become hazy and mysterious. This is the case of Mutian Opera. People are full of curiosity, have dabbled in this field. As a result, "Mou Lian Opera fever" has formed in Chinese and foreign academic circles. In recent years, people have been surprised to find out. A huge Mulian opera family, still remains in the vast land of China. With the depth of research, the formation of this huge family. People left behind a lot of thinking. As a mulien play accompanied by sacrificial performances, there was an extremely wide adaptability in feudal society in China at that time. It adapted to the religious and ethnic Chinese at that time. The general cultural psychology of the society, and the different regional cultural characteristics in various places, have injected fresh blood into Mutian Opera, making it full of vigor and vitality, taking root, sprouting, blossoming, and bearing fruit in the north and south of the world. This is the localization process of Mutian Opera. Numerous localized Mutian operas have emerged one after another, forming a huge Mulian Opera Family. Every member of this family. Each with the local history and culture has a very close relationship. It is like a mirror, local social life, local customs are reflected in it. Become an encyclopedia of one side of the land. And many of the local Mou Lian opera together, and then formed a long feudal society in the middle and late historical and cultural kaleidoscope. For the study of Mulian Opera, it has gone far beyond it as a opera art itself. The author thinks that it, like all the local lien operas, will also have one side of the land for hundreds of years of social life. Local customs make a true and vivid record. It is an art closely related to people. Because of Chenhe mulien opera is still relatively complete to retain its primitive style. For the study of this area to provide a unique condition. This article from the perspective of music to investigate the Chenhe Mulian Opera, its connotation and artistic characteristics are summarized. And from the point of view of intangible cultural heritage protection, the author puts forward some opinions on the inheritance and development of Chenhe Mulian Opera.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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