当前位置:主页 > 文艺论文 > 戏剧论文 >

清代两种月令承应戏考论

发布时间:2018-01-18 23:53

  本文关键词: 月令承应戏 《正则成仙》 《渔家言乐》 考论 出处:《中华文化论坛》2014年04期  论文类型:期刊论文


【摘要】:《正则成仙》和《渔家言乐》是清代两种月令承应戏,以屈原为题材,共同叙写一个屈原升仙之后又返回人间的故事。众多文献将它们视为两剧,其实它们是一个剧情前后连贯的两折杂剧。关于它们的作者,各种文献皆署为无名氏。笔者经过考证发现作者是康、雍、乾时期的张照。它们自乾隆初年创作完成之后,又被改编过。它们通常在端午节和朔望之时用于"开场"、"团场"演出,有一套严格的仪程。
[Abstract]:"regular Cheng Xian" and "Yu Jia Yan Yue" are two kinds of Yue Cheng-ying drama in the Qing Dynasty. Taking qu Yuan as the subject matter, the common narration is a story of qu Yuan ascending the immortal and then returning to the earth. Many documents regard them as two plays. As a matter of fact, they are a two-fold drama with a coherent plot. About their authors, all kinds of literature are anonymous. The author is found to be Kang, Yong after textual research. Photographs of the dry period. They have been adapted since the creation of Qianlong in the early years. They are usually used at the time of Dragon Boat Festival and Shuo Wang for "opening" and "troupe" performances, with a strict set of procedures.
【作者单位】: 宜宾学院文学与新闻传媒学院;
【基金】:2013年度教育部人文社会科学研究青年基金项目“中国古代屈原戏研究”(13YJC751014)阶段性成果
【分类号】:J809.2
【正文快照】: 明清每逢元旦、端午、七夕、中秋等传统节日和其它重要节气,民间和宫廷都会创作和演出与之有关的戏曲,称之为应时戏。“到清代乾隆年间,宫廷指定专人编写、排演新的应时戏,叫做‘月令承应’戏。”〔1〕从乾隆到宣统年间,清廷产生了大量月令承应戏,其中流传下来的剧本大多数保

【参考文献】

相关期刊论文 前2条

1 孟燕[,

本文编号:1441683


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1441683.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户2bdad***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com