浦城提线木偶戏的音乐调查与文化功能研究

发布时间：2018-01-21 04:24

本文关键词： 文化音乐传子木偶浦城　出处：《新疆师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：浦城提线木偶戏，又名传子木偶戏，是福建省浦城县特有的一种剧种，相传它产生于清顺治年间，由浦城士绅王明秀创建，，至今已有三百多年的历史。它于2008年，被列入南平市第一批市级非物质文化遗产代表作名录，于2009年，被列入福建省第二批省级非物质文化遗产代表作名录。但是随着社会经济的快速发展、人们审美观念的转变，浦城传子木偶戏陷入濒危境地，而具体对于它的研究几乎还是处于空白的状态，本文以田野调查作为方法，本着“记录也是对文化的一种保护”的原则，对浦城传子木偶戏进行了记录和分析。本文共分为四部分：第一部分：导论。阐述研究缘起，对前人有关木偶戏的著述、文字进行了梳理、总结，并对本文的研究方法和资料来源、研究目地与意义进行概述。第二部分：浦城提线木偶戏的介绍。由于一切音乐活动都是个人或者集体在一定社会形式中，任何音乐的表演和创造与其所在地的社会环境、自然环境和人文条件有着千丝万缕的联系。为了加深了解浦城传子木偶戏的形成，本文不仅对浦城提线木偶戏的渊源做了记录，并对其生存的自然与社会环境进行了探究。第三部分：对浦城提线木偶戏的演出时间、演出机制、收入、传承情况等进行了详尽的活态记录。第四部分：浦城提线木偶戏的音乐。浦城县的传子木偶戏的音乐具有吴越支脉民间音乐的特点，其歌谣是传子木偶戏人物进出场时必不可少的一部分，它分为七字句歌谣和杂腔歌谣，用浦城方言演唱，其唱腔具有高腔特点，一唱众和。同时本文对传子木偶音乐进行了大量的记谱，不仅总结出其歌谣的开头、间奏和尾奏的音乐类型。并对其主奏乐器唢呐、二胡和锣鼓进行了记录研究，最后，对浦城传子木偶戏的音乐表现手法进行了分析总结。第五部分：浦城提线木偶戏社会文化功能。从审美娱乐、心灵慰藉、社会组织和传承教育几方面分析其社会文化功能。浦城传子木偶戏历史悠久，具有相当的历史价值和艺术价值，但在现代科技的冲击下，已陷入濒危境地。本课题拟通过对传子木偶相关材料的收录、整理，浅析传子木偶的价值所在，以此引起人们对这个剧种的重视与保护。
[Abstract]:Pucheng puppetry, also known as Chuanzi puppet play, is a unique play in Pucheng County, Fujian Province, according to legend it was born in Shunzhi period of Qing Dynasty, by Pucheng gentry Wang Mingxiu. It has a history of more than 300 years. In 2008, it was listed as the first representative list of municipal intangible cultural heritage in Nanping city, on 2009. Was listed in Fujian Province the second batch of provincial intangible cultural heritage representative list. But with the rapid development of social economy and the change of people's aesthetic concept Pucheng Chuanzi puppet show is in danger. But the concrete research is almost still in blank state, this article takes the field investigation as the method, in line with "the record is also a kind of protection to the culture" principle. This article is divided into four parts: The first part is introduction. It explains the origin of the study, combs and summarizes the previous works and characters about puppet show, and summarizes the research methods and data sources, the purpose and significance of the research. The second part: the introduction of Pucheng Muppet Opera. Because all music activities are individual or collective in a certain social form, any music performance and create the social environment with its location. The natural environment and human conditions are inextricably linked. In order to better understand the formation of Pucheng Chuanzi puppet show, this paper not only records the origin of Pucheng Muppet Opera. And the natural and social environment of its survival was explored. The third part: the performance time, performance mechanism, income and inheritance of Pucheng Muppet Opera are recorded in detail. Part 4th: the music of Pucheng puppetry. The music of Pucheng County has the characteristics of Wuyue branch folk music, and its ballad is an indispensable part when the characters of Chuanzi puppet show enter and exit the field. It is divided into seven lines of ballads and miscellaneous songs, singing in Pucheng dialect, its singing with the characteristics of a high cavity, singing a mass harmony. At the same time, this paper carries on a large number of notes to Zuan Zi puppet music, not only summarizes the beginning of its ballad. The music types of interlude and finale are recorded and studied. Finally, the musical expression techniques of Pucheng Bianzi puppet show are analyzed and summarized. Part 5th: the social and cultural function of Pucheng Muppet Opera. It analyzes its social and cultural functions from the aspects of aesthetic entertainment, spiritual comfort, social organization and inheritance education. Pucheng Zhuan Zi puppet show has a long history, has a considerable historical value and artistic value, but under the impact of modern science and technology, has fallen into an endangered situation. Analysis of the value of children puppet, so that people attach importance to the play and protection.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J827;J617.9

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