《东京梦华录》“京瓦伎艺”标点商兑

发布时间：2018-01-26 17:26

本文关键词： 东京梦华录京瓦伎艺标点孟子书教坊减罢　出处：《文化遗产》2015年01期 　论文类型：期刊论文

【摘要】：本文在前人研究基础上对《东京梦华录》"京瓦伎艺"开头一段的标点进行讨论,指出:一、"孟子书"不是书名而是人名,"张廷叟、孟子书主张"指的就是张廷叟与孟子书担任杂剧中的末泥色;二、"教坊减罢并温习"指的是宋钦宗"罢教坊额外人"之后教坊艺人在民间恢复演出,而薛子大等六人原本就是民间的杂剧艺人;三、这批艺人的活动时间很可能是在1126年2月至9月间。本文还对既有的学术成果被忽略感到遗憾。
[Abstract]:On the basis of previous studies, this paper discusses the punctuation of the first paragraph of "Jingwa Art" in "Tokyo Meng Hua Lu", and points out: first, Mencius Book is not the title of the book but the name of the person, "Zhang Ting-chao. Mencius advocated that "refers to Zhang Ting-chao and Mencius as the last play in the clay color;" Second, the term "reduce and review the teaching workshops" refers to the resumption of performances by the teachers' entertainers in the folk after the Song Emperor's "extra people of the strike workshops", and Xue Tzu Da and other six people were originally folk dramas entertainers. Third, the event time of these artists is probably from February 1126 to September. This article also regrets that the existing academic achievements have been neglected.
【作者单位】：中山大学中国非物质遗产文化研究中心、文化遗产传承与数字化保护协同创新中心;
【基金】：国家社科基金重点项目“新加坡藏‘外江戏’剧本的搜集与研究”(项目编号:14WZW009)的阶段性成果
【分类号】：J809.2
【正文快照】： 古书无标点,因而需要“明句读”,一旦断句出了错,就会影响到对文意的理解。《东京梦华录》卷五“京瓦伎艺”开头的一段,记录北宋末年汴京民间文艺的演出盛况,常被当代戏剧、小说、曲艺、民俗学研究者引用。然而引用者在标点方面颇有分歧,上世纪50年代以后出版的一些标点本也或

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