秦腔须生表演浅论

发布时间：2018-01-31 08:28

本文关键词： 刘毓中生行甩袖三滴血标志性人物经典剧目情感表现打镇台艺术表现手段刘彦昌 　出处：《当代戏剧》2016年05期 　论文类型：期刊论文

【摘要】：正近百年来,秦腔须生涌现出了数以百计的代表性人物,也出现了在表演与唱腔等方面的标志性人物,甚至成为一代宗师。刘毓中先生所塑造的一系列人物,尤其是其所创造的秦腔(衰派)老生的唱腔和表演模式,几十年来,甚至达到了难以企及的丰碑。如果说,刘毓中先生的表演独树一帜,而且已经成为当代秦腔(衰派)老生的范本的话,那么他在唱腔的表现手段上,更是以当代人无可企及的。“沙”“哽”“哑”和近似于秦腔青衣演员的呜咽,把秦腔老生行的唱腔表现
[Abstract]:In the past hundred years, hundreds of representative figures have emerged in the Qin Opera whiskers, as well as the iconic figures in performing and singing, and even become a series of figures created by Mr. Liu Yuzhong, a master of a generation. In particular, his creation of the Qin Opera (decline faction) of the old life singing and performance mode, over the past decades, even reached a monument to reach. If said, Mr. Liu Yuzhong's performance is unique. And it has become a model for the old life of the contemporary Qin Opera (declining faction), so in the performance of his singing means, it is beyond the reach of the contemporary people. "Sand" "choking" "mute" and similar to the Qin Qiang Qingyi actor's sobs. The singing performance of the Old students of the Qin Opera
【正文快照】： 近百年来,秦腔须生涌现出了数以百计的代表性人物,也出现了在表演与唱腔等方面的标志性人物,甚至成为一代宗师。刘毓中先生所塑造的一系列人物,尤其是其所创造的秦腔(衰派)老生的唱腔和表演模式,几十年来,甚至达到了难以企及的丰碑。如果说,刘毓中先生的表演独树一帜,而且已经

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