中国当代歌剧《苍原》探微
发布时间:2018-02-01 06:51
本文关键词: 《苍原》 中国歌剧 剧本创作 音乐创作 舞台创作 出处:《福建师范大学》2009年硕士论文 论文类型:学位论文
【摘要】:中国歌剧艺术诞生于20世纪上半叶,在近一个世纪的发展过程中,产生了多部极具艺术价值、社会影响深远的歌剧作品,其中《苍原》就取得了辉煌的成就并散发着独特的魅力。这不仅是由于其彰显爱国主义这一恒久主题,更重要的是这部歌剧在各个方面所取得的成就,标志着中国歌剧在20世纪90年代已经进入到一个更加成熟的时期,尤其是在剧本创作、音乐创作及舞台创作这三个方面,对于歌剧综合美的运用成为当代中国歌剧创作演出中的典范。 《苍原》这部歌剧的成功,最大的优势就在于音乐、剧本、导演、演员、舞美设计等各个方面无所不精,最大限度地调动了各种艺术门类的创造力与表现力,使得《苍原》这部歌剧的综合美的营造达到了一个空前的高度。歌剧《苍原》的成功向人们证实:真正有生命力的作品既要有传统的继承与吸收,更要有鲜明的个性。《苍原》正是创作者们本着民族性与史诗性相结合的原则,立足于中国歌剧传统,借鉴欧洲古典歌剧的创作经验,充分调动声乐和器乐的各种手段,贯彻古为今用、洋为中用的原则,在民族性的基础之上,在多元化的艺术实践中,创作出的具有中国特色、中国风格和民族气派的歌剧作品。 本文以对歌剧《苍原》的创作主体的研究为切入点,深入分析该剧的剧本创作、音乐创作和舞台创作;通过对创作过程、表演过程、导演手法运用的分析,揭示这部歌剧成功背后的主要因素和推动力量;通过对该剧所取得的艺术成就、社会影响和历史价值的探讨,来比照当代歌剧创作及表演创作中的一些误区,并试图为其良性发展带来某些启示。
[Abstract]:Chinese opera art was born in the first half of 20th century. During the development of nearly a century, many operas of great artistic value and far-reaching social impact were produced. Among them, Cangyuan has made brilliant achievements and exudes a unique charm. This is not only because of the persistent theme of patriotism, but also because of the achievements of the opera in all aspects. In 1990s, Chinese opera has entered a more mature period, especially in the three aspects of script creation, music creation and stage creation. The application of the comprehensive beauty of opera has become a model in contemporary Chinese opera creation and performance. The greatest advantage of this opera's success lies in its music, script, director, actor, dance design and so on. It has mobilized the creativity and expressiveness of various art categories to the maximum extent. The comprehensive beauty of the opera has reached an unprecedented height. The success of the opera "Cangyuan" proves that the works with real vitality should be inherited and absorbed by tradition. The creators are based on the principle of the combination of nationality and history, based on the Chinese opera tradition, and draw lessons from the European classical opera creation experience. Fully mobilize all kinds of means of vocal and instrumental music, implement the principle of using the past for the present and the foreign for the Chinese, on the basis of nationality, in the diversified artistic practice, the creation has Chinese characteristics. An opera of Chinese style and national style. Based on the research of the creative subject of the opera Cang Yuan, this paper makes a thorough analysis of the script creation, music creation and stage creation of the opera. Through the analysis of the creative process, the performance process and the use of the director's technique, the main factors and driving forces behind the success of the opera are revealed. By discussing the artistic achievement, social influence and historical value of the play, this paper compares some misunderstandings in contemporary opera creation and performance creation, and tries to bring some enlightenment to its benign development.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J822
【引证文献】
相关期刊论文 前1条
1 韩环宇;;论歌剧《苍原》情歌唱段中节奏的艺术表现[J];北方音乐;2015年06期
相关硕士学位论文 前1条
1 黄月凤;歌剧《土楼》地域性旋律研究[D];福建师范大学;2013年
,本文编号:1481231
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