女性主义理论三个阶段_西方女性主义理论 的翻译结果

  本文关键词：西方女性主义戏剧理论，由笔耕文化传播整理发布。

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西方女性主义理论

     Comment on the Meaning of Western Female Doctrine Theory

     西方女性主义理论的意义评述

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     Deconstruction and construction-Influence of the deconstruction theory on western feminism

     在解构与建构之间——论解构理论对西方女性主义理论的影响

短句来源

     However,because of the mistakes and variation in acceptance of the western feminism,the female writers expect too much on the road of western feminism in seeking Chinese female emancipation,leading to the confliction with Chinese traditional culture.

     然而,由于对西方女性主义理论的接受与挪用时产生了错误与偏差,女性作家在创作上过分期望通过走类似西方女性主义斗争之路来谋求中国女性解放之路,从而导致了与几千年的中国传统文化发生抵触。

短句来源

     After half a century’s hesitation, excitement, retrogresses, gender consciousness in China’s female works, catalyzed by the theory and practice of the western feminism, finally came to its independence, which was realistically reflected by female poems.

     性别意识随社会发展而渐趋强劲,在经过了半个多世纪的彷徨、喧嚣、浮沉后,在西方女性主义理论、实践的刺激下,中国女性诗歌中性别意识终于有了崭新的面貌。 女性诗歌创作真实地反映了这一演进状况。

短句来源

     Chinese feminism literary criticism's production and development in China have their specific factors, it is not western doctrine theories of women and spreading briefly in China of literary criticism of women's doctrine, but contain realistic foundation and thinking source that it produces in the Chinese society and culture.

     中国女性主义文学批评在中国的产生与发展有着其特定的因素,它并不是西方女性主义理论及女性主义文学批评在中国的简单传播,而是中国社会与文化中蕴含着它产生的现实基础和思维来源。

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     This writing angle is relevant to Chinese womenposition in the history, of the influence of the west feminism theory.

     这种写作向度的获得既与中国女性在历史、现实中的处境不无相关，同时又是深为西方女性主义理论所浸染的结果。

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     A Survey on Development of the Theory of Feminist Theory

     西方女性主义戏剧理论

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     Comment on the Meaning of Western Female Doctrine Theory

     西方女性主义理论的意义评述

短句来源

     On Ecriture Feminine in Western Feminism

     论西方女性主义的书写理论

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     The Movie Theory Criticism on Western Feminism

     西方女性主义电影理论述评

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     Review of the Feminist Translation Theories in the West

     西方女性主义翻译理论述评

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Based on criticizing the theory of !difference" raised by some Western feminists, the paper aims to prove the fact that there is no !inherent" differences between writings of both sexes, and there is no straightforward relationship between the gender of the writing subject and the formal and thematic features of a literary work. To emphasize a difference common to women writers is, in fact, to suppress differences of women's writing.

本文针对西方女性主义倡导的女性写作的“差异论” ,重点探讨性别与创作的关系 ,指出 :男女性创作不存在所谓的“固有的”差异 ;男女性别与文本美学特征间不存在同构关系 ;片面坚持女性写作的差异 ,实质上压抑了女性作家内部所存在的差异性。文章从而批判了西方女性主义理论中的某些误区

In 90's, Chen Ran and Lin Bai take the west feminist theories as an artistic point of departure, in the novels 《 The private life 》 and 《The individual's war》, from the standing alone consciousness, the body's awareness, and the female friendship,which present the female ego, scoop out the personal experience, relate female plentifulness the special and private life. All of these have to expand the meaning of the female consciousness in female literature.

九十年代 ,陈染、林白以西方女性主义理论为创作出发点 ,在长篇小说《私人生活》和《一个人的战争》里 ,从孤独意识、躯体觉醒、女性情谊等方面呈现女性自我 ,挖掘个人经验 ,讲述了女性丰富独特的私人生活 ,对女性文学中女性意识的发展具有开拓意义。

This article mainly discusses how the domestic cultural context play,an important role in the reception to the Western Feminist Theory, and in the development of critical discourse of Chinese Feminism Criticism. Meanwhile, it explores the methodological significance of "gender analysis" to the prospects of Chinese Feminist Criticism.

本文主要考察本土语境是如何制约西方女性主义理论在中国的接受 ,规定中国女性主义文学批评话语的发展路径 ,同时也探究“社会性别”这一分析范畴之于中国女性主义批评前景的意义

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  本文关键词：西方女性主义戏剧理论，，由笔耕文化传播整理发布。