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濮阳大弦戏研究

发布时间:2018-02-09 10:42

  本文关键词: 濮阳大弦戏 源流 艺术特征 保护发展 出处:《河南大学》2011年硕士论文 论文类型:学位论文


【摘要】:濮阳大弦戏又名“弦戏”、“弦子戏”,是流行于河南省东北部、河北省南部、山东省西南部一带的一个古老剧种,2006年被列入第一批国家级非物质文化遗产名录。本文以具有地方特色的濮阳大弦戏为考查对象,采用文献梳理、个案分析、现象归纳、田野调查等研究方法,对濮阳大弦戏开展全面、系统的研究,展现其作为一个历史悠久的地方剧种的全貌;同时,从非物质文化遗产保护的角度入手,分析濮阳大弦戏珍贵的历史文化价值和戏曲文物价值,探讨如何对其进行抢救与保护,以期对该剧种的传承与延续提供一定的学术参考,并对其他地方剧种有所启示与借鉴。 全文分为绪论、正文、结语三大部分。 绪论部分概述了选题的缘起、意义,梳理学术界研究现状,简述选题的主要内容及创新之处。 正文分四部分展开论述。 第一章:濮阳大弦戏的起源、形成与发展。该部分对濮阳大弦戏的源流与现状进行了概述,指出大弦戏具有悠久的历史,并简要地勾勒出了这一珍稀剧种发展演变的大致脉络。 第二章:濮阳大弦戏的艺术特征。该部分从声腔体系、演奏乐器、舞台表演、脚色行当四个方面对大弦戏的艺术特征进行了系统的分析,尤其是其声腔体系中所包含的古典大曲这一最为古老、最具历史文化价值的声腔,更是其历史文化价值和戏曲文物价值的核心体现。 第三章:濮阳大弦戏传统剧目研究。该部分对大弦戏的传统剧目来源进行了分析,对其200多部传统剧目进行了整理,并对其具有代表性的传统剧目,如《杨府选将》、《下南唐》、《火龙阵》等的题材、故事梗概、艺术特色等进行了赏析。 第四章:濮阳大弦戏的生存现状与保护发展。该部分从五个方面对大弦戏的濒危状况进行了论述,对其特征与价值进行了深入分析,并考察了各级政府及相关部门近年来对大弦戏所采取的抢救与保护措施。在此基础上,笔者就我国地方剧种的生存与发展进行了一些思考,提出了几点建议。 结语部分对全文进行回顾,总结了濮阳大弦戏的宝贵价值,并对该剧种的明天提出了期望。
[Abstract]:Puyang big string opera, also known as "string play", "string play" is popular in northeastern Henan Province, southern Hebei Province, In 2006, an ancient drama of southwestern Shandong Province was included in the first batch of national intangible cultural heritage lists. This paper takes Puyang Daxian Opera with local characteristics as the object of examination, combs the literature, analyzes cases and concludes the phenomena. Field investigation and other research methods, to carry out a comprehensive and systematic study of Puyang Daxian Opera, to show its full picture as a local drama with a long history; at the same time, from the perspective of the protection of intangible cultural heritage, This paper analyzes the precious historical and cultural value and the cultural relics value of the great string opera in Puyang, and probes into how to rescue and protect it in order to provide a certain academic reference for the inheritance and continuation of this kind of play, and to provide some enlightenment and reference for other local operas. The full text is divided into three parts: introduction, text and conclusion. The introduction summarizes the origin and significance of the topic, combs the current situation of academic research, briefly describes the main content and innovation of the topic. The text is divided into four parts. The first chapter: the origin, formation and development of the big string opera in Puyang. This part summarizes the origin and current situation of the big string opera in Puyang, and points out that the big string play has a long history. A brief outline of the development and evolution of this rare drama is given. The second chapter: the artistic characteristics of the big string opera in Puyang. This part has carried on the systematic analysis to the artistic characteristic of the big string opera from four aspects: the vocal cavity system, the playing instrument, the stage performance, the character of the foot. In particular, the classical Daqu, which is the oldest and most historical and cultural value in its vocal system, is the core embodiment of its historical and cultural value and the value of the cultural relics of the opera. The third chapter: the research on the traditional plays of the big string opera in Puyang. This part analyzes the source of the traditional repertoire of the big string opera, arranges more than 200 traditional repertoire of the opera, and gives the representative traditional repertoire. Such as "Yang Fu Xuan General", "Lower South Tang Dynasty", "Fire Dragon Array" and so on theme, the story outline, the artistic characteristic and so on has carried on the appreciation and so on. Chapter 4th: the survival status and protection and development of Daxian Opera in Puyang. This part discusses the endangered situation of Daxian Opera from five aspects, and analyzes its characteristics and value. On the basis of this, the author makes some reflections on the survival and development of local drama in China and puts forward some suggestions. The conclusion part reviews the full text, summarizes the valuable value of Puyang grand string opera, and puts forward the expectation for the future of the play.
【学位授予单位】:河南大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J825

【引证文献】

相关期刊论文 前1条

1 苏全有;刘振兴;;建国以来河南近代戏曲史研究述评[J];周口师范学院学报;2013年01期



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