“花开桃李梅”引发的思考——兼论戏曲的传承和接受问题

发布时间：2018-02-10 10:44

本文关键词： 桃李梅传承接受　出处：《戏剧文学》2017年09期 　论文类型：期刊论文

【摘要】："花开桃李梅——十地方戏曲剧种《桃李梅》同城汇演"在戏曲史上是一个创举,其意义与价值不言而喻。从传统"唱对台戏"反观"同城汇演"现象,剧种特色是关键,也是看点所在,是观众审美期待所在。从移植改编审视剧种特色和"戏保人"现象,"戏保人"的剧目,易于移植改编和流传,在移植过程中要根据行当特色和剧种风格进行改编,使之彰显本剧种特色。中国戏曲是求"美"的艺术,美是它的极致,要从舞台装扮重塑戏曲的"美"。
[Abstract]:"Flower Peach Li Mei-Ten Local Opera operas < Peach Li Mei > same City performance" is a pioneering undertaking in the history of the opera, and its significance and value are self-evident. From the traditional phenomenon of "singing against the stage" and "looking back" at "the same city", the characteristics of the opera are the key. It is also the focus of the audience's aesthetic expectations. From the transplant adaptation to examine the characteristics of the play and the phenomenon of "the opera holder", the repertoire of the "opera holder" is easy to transplant and circulate. In the process of transplantation, it is necessary to adapt it according to its professional characteristics and theatrical styles so as to highlight the characteristics of the drama. Chinese opera is the art of seeking "beauty" and beauty is its extreme, and the "beauty" of opera should be remade from the stage costume.
【作者单位】：安庆师范大学;
【分类号】：J825

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