透过阿苏切娜领路《游吟诗人》的戏剧性魅力

发布时间：2018-02-11 20:02

本文关键词： 歌剧的戏剧性阿苏切娜 “爱恨情仇” 戏剧性魅力　出处：《陕西师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 歌剧,顾名思义,就是以歌唱为主体的戏剧。歌剧是一种综合性艺术,是音乐与戏剧的结合,并且音乐和戏剧也总是相辅相成的。戏剧性,是戏剧艺术审美特性的集中表现,是戏剧之所以为戏剧的那些基本因素的总和。自从有了戏剧,就有了“戏剧性”这一问题。歌剧是以歌唱为主体的戏剧,所以歌剧的戏剧性主要是通过剧情和音乐的戏剧性塑造来体现的。《游吟诗人》、《茶花女》、《阿依达》被评论界推崇为威尔第的四大名作。《游吟诗人》作为四大名作之一一定有着他独特的魅力,而阿苏切娜是体现这部歌剧戏剧性的一个亮点与焦点人物。通过对于她的戏剧性塑造我们能更好的领略这部歌剧的戏剧性魅力。引言：这一部分阐述了本文的研究目的与意义,主要的研究内容、本文的研究思路、方法及创新之处。本文从“戏剧性”这一概念入手,了解“戏剧性”的界定与内涵,进一步引申到歌剧的戏剧性体现。再通过对阿苏切娜戏剧性的分析看这部歌剧的魅力。正文的第一部分：关于“戏剧”与“戏剧性”的探讨。简述了“戏剧性”的界定与内涵。可以说“戏剧性”主要体现为文学构成中的戏剧性与舞台呈现中的戏剧性的结合。第二部分：关于《游吟诗人》创作的的时代背景、由于威尔第在创作这部歌剧时个人的情感经历而赋予它的情感特征,以及《游吟诗人》的剧情简介。第三部分：对阿苏切娜戏剧性魅力的分析。从阿苏切娜的文学上的戏剧性,音乐上的戏剧性以及演唱与表演的戏剧性魅力来把握。第四部分,通过对阿苏切娜戏剧性的分析进一步分析这部歌剧具有的戏剧性魅力。
[Abstract]:Opera, as its name implies, is a drama with singing as its main body. Opera is a comprehensive art, a combination of music and drama, and music and drama always complement each other. Drama is a concentrated expression of the aesthetic characteristics of dramatic art. It is the sum of the basic factors that make drama a drama. Since the drama came into being, there has been the problem of "drama." opera is a drama with singing as its main body. Therefore, the drama of opera is mainly reflected by the dramatic shaping of the plot and music. The Poets of Camellia, the Lady of Camellia, and Aida have been praised by critics as Verdi's four masterpieces. One must have his unique charm, Asuchena is one of the highlights and focal points of the drama. We can better understand the dramatic charm of the opera by shaping her drama. Introduction: this part describes the purpose and significance of this paper, the main research content, the research ideas, methods and innovations of this paper. This article starts with the concept of "drama", understand the definition and connotation of "drama". Further into the drama of the opera. Then through the dramatic analysis of Athucena to see the charm of the opera. The first part of the text is about the discussion of "drama" and "drama". The definition and connotation of "drama" are briefly described. It can be said that "drama" is mainly embodied in the combination of drama in literary composition and theatrical presentation in stage. The second part is about the background of the creation of this opera, the emotional characteristics endowed by Verdi because of his personal emotional experience while writing the opera, and the synopsis of the opera. The third part: the analysis of Asuchena's dramatic charm, from the drama in literature, the drama in music and the dramatic charm in singing and performing. In the 4th part, the dramatic charm of the opera is further analyzed through the dramatic analysis of Asuchena.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

【引证文献】