周巍峙:新时期振兴戏曲的卓越领导者和组织者

发布时间：2018-02-11 23:03

本文关键词： 艺术革新艺术表演团体艺术团体戏剧创作体制束缚高山下的花环粉碎“四人帮” 区别对待俞振飞戏剧艺术 　出处：《艺术评论》2015年07期 　论文类型：期刊论文

【摘要】：正一新时期开始,不同剧种面临严峻形势:一是剧种剧团数量锐减。在全国三百多个剧种中,有艺术团体的剧种仅二百多种,流传于民间的剧种也处境艰难。二是在粉碎"四人帮"后,传统剧目恢复上演时的美好日子已经被"戏曲危机"的现实所替代,剧团从坐等观众转为面临寻找观众、市场萎缩的艰难境地。三是京剧、昆剧、川剧、秦腔等古老剧种都面临老艺术家年事已高,演员队伍青黄不接的状况。四是艺术表演团体被旧体制束缚,如何积极而慎重地推进改革,加快艺术革新步伐
[Abstract]:At the beginning of the new period, different kinds of plays are facing a severe situation: first, the number of theatrical troupes has decreased sharply. Of the more than 300 kinds of plays in the country, there are only more than 200 kinds of dramas with artistic groups. The other is that after crushing the Gang of four, the good days when the traditional repertoire resumed were replaced by the reality of the "drama crisis." the troupe changed from waiting for the audience to looking for the audience. The difficult situation of the shrinking market. Third, the ancient opera types such as Beijing Opera, Kunqu Opera, Sichuan Opera, Qin Opera and so on all face the situation that the old artists are old and the actors are out of line. Fourth, the artistic performing groups are bound by the old system. How to advance the Reform actively and carefully and accelerate the pace of artistic Innovation
【分类号】：J82

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