歌剧《再别康桥》中陆小曼人物塑造与演唱探析

发布时间：2018-02-12 01:59

本文关键词： 《再别康桥》陆小曼人物塑造演唱探析　出处：《天津师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：2001年,在北京人艺小剧场,由陈蔚导演、周雪石作曲的歌剧《再别康桥》上演,开创了我国小剧场歌剧的先河。以雷佳、薛皓垠、张海庆这群中国音乐学院的学生为主演,将徐志摩、林徽因、陆小曼、梁思成等新中国进步学者的爱情、友情故事搬上了歌剧舞台,对"室内歌剧"进行了非常成功的探索与尝试,引起了广泛关注。本文分三节论述,以剧中人物陆小曼的人物塑造和演唱处理为切入点,重点分析人物的戏剧形象、音乐形象、演唱技巧及情感表现。并对不同歌者的演绎进行对比研究,层层深入,揭示了剧中人物陆小曼的艺术形象塑造与表现,诠释女中音的独特魅力。
[Abstract]:In 2001, the opera "farewell to Kangqiao" by Chen Wei and Zhou Xueshi, directed by Chen Wei and composed by Zhou Xueshi, was staged at the Beijing small Theatre of Human Arts, creating the first stage of opera in China. It starred in Lei Jia, Xue Haoyin, and Zhang Haiqing, a group of students from the Chinese Conservatory of Music. The love and friendship stories of the progressive scholars of new China, such as Xu Zhimo, Lin Huiyin, Lu Xiaoman, and so on, have been put on the stage of the opera, and the "indoor opera" has been explored and tried very successfully, which has aroused widespread concern. This article is divided into three sections. This paper focuses on the analysis of the characters' dramatic image, musical image, singing skills and emotional performance, and makes a comparative study on the deduction of different singers. It reveals the artistic image and expression of Lu Xiaoman, and interprets the unique charm of soprano.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J822;J617.2

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