山西抗日根据地的大剧演出及文艺观论争探析

发布时间：2018-02-16 23:20

本文关键词： 山西抗战大剧大众文艺观　出处：《山西档案》2015年02期 　论文类型：期刊论文

【摘要】：抗战期间,山西根据地的演剧活动主要面对广大农村群众。斗争形势的具体需要和受众的文艺欣赏水平共同决定了这一时期敌后剧运必须走大众化道路,如此才能便于受众领悟,获得良好的宣传效果。1941年根据地出现了连续搬演大型中外名剧的风潮和忽略现实需要的文艺倾向,戏剧界由此展开了一系列关于文艺观的论争,并确立了"为大众"的敌后剧运文艺观。这一强调现实主义创作原则的文艺观不仅对根据地的敌后戏剧运动具有指导意义,而且对其它形式的文艺创作也产生了影响。
[Abstract]:During the War of Resistance against Japan, the acting activities in Shanxi base areas mainly faced the broad masses of rural people. The specific needs of the struggle situation and the level of appreciation of the audience in literature and art jointly decided that in this period the movement of behind enemy dramas had to be popularized. In 1941, in the base areas, there appeared the trend of continuously performing large-scale famous Chinese and foreign dramas and the tendency of literature and art to ignore the needs of reality, which led to a series of debates on the concept of literature and art in the theatrical circles. And established the "for the masses" behind the enemy drama movement literature and art view, this emphasis on the principle of realistic creation of literature and art not only for the base area behind the enemy drama movement has a guiding significance, but also for other forms of literary and artistic creation has had an impact.
【作者单位】：山西师范大学文学院;山西师范大学戏曲文物研究所;
【基金】：山西省哲学社会科学“十二五”规划2014年度课题“山西根据地抗战剧作及其当代价值研究”的研究成果,项目批准号:晋规办字【2014】3号山西师范大学现代文理学院教学改革与建设研究项目“影像资料在中国现当代文学教学中的运用研究”的研究成果,项目编号:WL2014JGXM-06
【分类号】：J809.2

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