曲、腔、调与南北曲之关系

发布时间：2018-02-22 21:05

本文关键词： 南北曲乐籍制度以北为尚南曲声腔北曲流派弦索官腔弦索调区域风格　出处：《中国音乐学》2015年03期 　论文类型：期刊论文

【摘要】：因政治中心迁移而产生的南北曲两大曲牌演唱体系,通过乐籍体系下专业乐人的承载,在"北中有南"、"南中有北"的互融、互动中发展。在明代南曲诸腔兴盛的同时,由于历史上政治中心长期在北方,国家礼制仪式只用北曲,北曲具正统性象征,"以北为尚"的观念深厚,在南都教坊与京师教坊相呼应下,依旧有良好的发展空间。本文从历时角度把握乐籍体系承载下曲、腔、调的演进,关注不同阶段腔的不同内涵;南曲之腔、北曲之派体现曲牌演唱的区域风格,而弦索官腔作为官腔特殊类型,则体现出乐籍制度下音声技艺的一致性,弦索官腔的普适性存在,亦对昆腔与弦索调的演化产生影响;在地方官属乐人的创承中,弦索调是弦索北曲区域化发展的结果,其曲牌体制仍积淀于当下弦索腔系统地方剧种中,亦对多类器乐曲形态具有实质性影响。
[Abstract]:Due to the migration of the political center, the singing system of the two major songs of the North and the South, through the bearing of professional musicians under the music system, develops in the mutual fusion of "north and south", "south in north" and "north in south". At the same time, when the Southern qu is flourishing in the Ming Dynasty, Because the political center of history has been in the north for a long time, the national ritual ceremony has only used the northern song, the northern song has the orthodox symbol, and the concept of "the north is Shang" is profound. There is still a good space for development. This article from a diachronic point of view to grasp the evolution of the music system bearing, cavity, tune, pay attention to the different connotations of different stages of the cavity. As a special type of mandarin, chord chord reflects the consistency of sound and sound skills under the music system, and the universal existence of chord mandarin also has an impact on the evolution of Kun cavity and chord tune. The chord and cable tune is the result of the regionalization development of the chord cable north qu, and its system is still accumulated in the local drama of the current string cable-cavity system, which also has a substantial influence on the shape of many kinds of instrumental music.
【作者单位】：北京市丰台第五小学万柳分校;
【基金】：国家社科基金艺术学一般项目“中国乐籍制度与传统音乐文化”(编号12BD034)阶段性成果之一
【分类号】：J809.2;J617

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