长垣五彩皮影调查研究

发布时间：2018-02-24 08:17

本文关键词： 文化生态学长垣五彩皮影戏审美特点困境及策略　出处：《河南师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：豫北皮影戏作为中国皮影戏的一支重要流派,具有不同于豫南、陕山、齐鲁、江南等地区皮影戏的特点,但鲜有专家学者关注研究。笔者选取长垣县方里乡吕庄村五彩皮影戏这一具体个案,试图从文化生态学与美学角度探究长垣五彩皮影。文化生态学强调从文化生成的自然环境、经济环境、社会环境出发,考察文化与环境的互动关系。长垣五彩皮影的核心价值是审美价值,其唱词、唱腔、舞台表演、影人制作等符合当地人的审美心理,给人们带来精神上的审美愉悦,是劳作者诗意生活方式的表现。本文将长垣五彩皮影作为豫北文化生态圈中的一个文化事项来关注,以文化生态学理论为指导,致力于从“自然、人文、经济、社会”方面研究长垣五彩皮影的成长环境及规律,以美学的视角分析其内涵及价值,按照生态整体性的原则思考应对策略。本文的主要观点是:1.豫北独特的自然地理环境、民风民俗、文艺氛围塑造了长垣五彩皮影在剧目、表演(演唱和操作)、影人造型和制作方面的别具一格的审美特点。2.笔者结合农村现实状况、人们的审美精神需求、文化传播媒介等,探讨了长垣五彩皮影在调节人们乏味的劳动生活、维护农民的文化权利方面的作用。3.在非遗保护形势严峻的大前提下,非遗保护面临的难题具有相似性又因对象不同而有差异。长垣五彩皮影作为民间艺术,其传承后继无人、表演内容陈旧、无法适应人们的审美需要等问题都需要反思和改革。4.非遗的当代困境是多方面原因造成的。要使保护工作行之有效,保护者应该全盘考虑、整合多方面的力量、按照生态规律,进行整体性的保护。
[Abstract]:As an important school of Chinese shadow play, shadow play in the north of Henan is different from that in southern Henan, Shanshan, Qilu, Jiangnan and other regions. However, few experts and scholars pay attention to the research. The author chooses the concrete case of multicolored shadow play in Luzhuang Village, Fangyuan County, in order to explore the multicolored shadow of Changyuan from the angle of cultural ecology and aesthetics. Starting from the economic and social environment, we should examine the interactive relationship between culture and the environment. The core value of the multicolored shadow shadow in Changyuan is aesthetic value. Its lyrics, singing, stage performances, film production and so on are in line with the aesthetic psychology of the local people. To bring spiritual aesthetic pleasure to people is the expression of the author's poetic lifestyle. This paper focuses on Changyuan multicolored shadow as a cultural issue in the cultural ecological circle of northern Henan, guided by the theory of cultural ecology. Committed to the "nature, humanities, economy, society" aspects of the study of the Changyuan multicolored shadow growth environment and law, aesthetic perspective to analyze its connotation and value, According to the principle of ecological integrity, the main point of view of this paper is: 1.The unique natural geographical environment, folk customs, literary and artistic atmosphere of northern Henan have shaped the panorama of multicolored shadow shadows in the plays. Performing (singing and operating), the unique aesthetic characteristics of the movie-styling and production. 2. The author combines the rural reality, people's aesthetic spiritual needs, cultural media, etc. This paper probes into the role of Changyuan multicolored shadow in regulating people's tedious working life and safeguarding the cultural rights of peasants. Under the premise of the severe situation of non-posthumous protection, The problems faced by non-posthumous protection are similar and vary from object to object. As a folk art, Nagagaki multicolored shadow is inherited by no one, whose performance content is old. To make the protection work effective, the protector should consider all aspects, integrate various forces, and follow the ecological law. For holistic protection.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J827

【共引文献】