1940年代海派话剧的璀璨绽放

发布时间：2018-02-24 16:07

  本文关键词： 海派话剧 “鸳鸯蝴蝶派”风格 复古化和音乐化 本土化改编　出处：《中国现代文学研究丛刊》2014年12期 　论文类型：期刊论文

【摘要】：1940年代是海派话剧的繁荣期,其活跃的真实情况可由新发掘出的剧本和散见于报刊新闻、广告、评论中的信息获取。海派话剧大致涵括了现实剧、历史剧、改编剧三种主要类型。现实剧里"鸳鸯蝴蝶派"风格的剧目流行,历史剧有对"复古化和音乐化"的追求,改编剧使用入乡随俗的"本土化"方法等都是海派话剧独有的特征。这些剧作以鲜明的通俗性,好看有噱头,讲究舞台音响美工的现代技术性而迥异于当时的其他话剧。附后的海派话剧剧目,也有一定的学术价值。
[Abstract]:The 1940s was the boom period of the Shanghai drama, and its active real situation could be obtained from the newly discovered plays and the information scattered in the newspapers, news, advertisements, and commentaries. The Shanghai drama generally included realistic drama and historical drama. There are three main types of scriptwriters. In realistic dramas, the "Mandarin Duck and Butterfly School" style plays are popular, and historical plays have the pursuit of "retro and musicalization." The adaptation of screenwriters to the "indigenization" method of doing what they do in the countryside is a unique feature of the Shanghai drama. These plays have a distinctive popularity and a good look and gimmicks. The modern technology of stage acoustics is different from other drama at that time.
【作者单位】： 郑州师范学院传播学院;
【基金】：教育部青年基金项目“海派话剧研究”(14YJC751046)的阶段性成果
【分类号】：J824
，

本文编号：1530858