新疆哈密地区曲子剧的当代传承调查

发布时间：2018-02-27 12:48

本文关键词： 哈密曲子剧非物质文化遗产传承　出处：《内蒙古大学艺术学院学报》2016年02期 　论文类型：期刊论文

【摘要】：新疆曲子剧,俗称"新疆小曲子",它在曲调、道白、角色、戏曲与艺术类别等方面都有自己独特之处。曲子剧是哈密民众人生仪礼、岁时节日等民俗生活中重要的民间艺术形式。通过对巴里坤和哈密市曲子剧传承及其当前状况的调查,发现在国家倡导非物质文化遗产保护的语境中,政府相关部门采取培训、奖金激励等措施,新疆曲子剧的发展有了新的变化,即融合性与内容革新;同时也暴露了传承中的问题,即老龄化、经费支持不均衡,尤其是曲子剧的精髓难以得到传承。
[Abstract]:Xinjiang tunes, commonly known as "Xinjiang small tunes," have their own unique features in tunes, Taoism, roles, operas and artistic categories. They are the ritual of Hami people's life. Festivals and other important folk art forms in folk life. Through an investigation of the inheritance and current situation of tunes and dramas in Balikun and Hami cities, it is found that in the context of the state's advocacy for the protection of intangible cultural heritage, the relevant government departments take training. Bonus incentives and other measures, the development of Xinjiang tunes has a new change, that is, fusion and content innovation, but also exposed the inheritance of the problems, that is, aging, uneven funding support, especially the essence of the opera is difficult to pass on.
【作者单位】：中国社会科学院民族文学研究所;山西师范大学文学院;
【基金】：国家社会科学基金项目“国家话语与民间文学的理论建构(1949-1966)”(项目编号:13CZW090)阶段性成果
【分类号】：J825

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