戏曲与电影互动关系研究1896-1949

发布时间：2018-02-28 10:52

本文关键词： 戏曲戏曲电影影业公司互动关系　出处：《山西师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：本文以互动为切入点，力图对1896年到1949年间戏曲与电影的关系进行研究。自中国电影诞生之日起，戏曲与电影之间就展现了交叉与融合的复杂关系。戏曲推动了电影最初的成长，而电影也在繁盛之时提携了戏曲在多媒介共生的市场环境下的复兴。整个过程中包含了电影导演的艺术尝试、表演艺术家的自觉探索和影片制作公司的商业抉择，，而正是由这三个方面的博弈才成就戏曲电影的艺术特色和繁荣勃兴。在绪论部分主要是依照戏曲电影内在的发展脉络及外在政治、经济、文化的影响对戏曲电影的研究现状进行了梳理。第一章把戏曲与电影的互动放置在当时的政治、文化、经济背景之下，运用心理学、电影学、经济学等学科的理论成果来分析戏曲电影诞生的文化、政治、经济背景。鸦片战争之后伴随着西方资本主义国家文化侵略的过程，马戏、赛狗、电影、戏剧等西方娱乐形式传入中国，对戏曲电影带来了诸如娱乐观念、接受方式等方面的前期培育。第二章鉴于西方电影首先传入上海，而中国电影却诞生于北京的事实，分析了北京的政治、经济、文化中心城的地位和影响力，对于京剧融合徽戏、汉剧、秦腔而成为国剧的历程进行了简要介绍。这一章重点分析了戏曲改良运动对戏曲与电影关系的影响。第三章分别选取丰泰照相馆、商务印书馆活动影戏部、民华电影公司、新华电影公司、吴性栽投资的电影公司，来分析他们拍摄戏曲电影的原因和动机，以及拍摄过程中对于戏曲和电影融合的探索和思考。第四章选取戏曲艺术家梅兰芳的戏曲电影创作历程，分别从新剧的影响和艺术家的文化自觉两方面来论述他的电影创作活动。
[Abstract]:This paper tries to study the relationship between operas and movies from 1896 to 1949, starting from the date of the birth of Chinese films. There is a complex relationship between drama and film that intersects and merges. Opera promotes the initial growth of the film. The movie also carried the revival of drama in the multi-media symbiotic market environment at the time of prosperity. The whole process included the artistic attempt of the film director, the conscious exploration of the performing artist and the commercial choice of the film production company. And it is from these three aspects of the game to achieve the artistic characteristics of drama film and prosperity. In the introduction part, according to the internal development of drama film and external political, economic, cultural impact on the opera film research status. The first chapter puts the interaction between drama and film under the political, cultural and economic background of that time. Using the theoretical achievements of psychology, film science, economics and other disciplines to analyze the culture and politics of drama film birth. Economic background. After the Opium War, the process of cultural aggression by Western capitalist countries was accompanied by the introduction of western forms of entertainment, such as circus, dog racing, film and drama, into China, bringing such entertainment concepts to drama and movies. The early cultivation of the way of acceptance and so on. The second chapter analyzes the status and influence of Beijing's political, economic, and cultural center city, in view of the fact that western films were first introduced into Shanghai, while Chinese films were born in Beijing. This chapter focuses on the influence of the opera improvement movement on the relationship between opera and film. The third chapter selects the Fengtai Photo Gallery, the Commercial Press activity Film Department, the Minhua Film Company, the Xinhua Film Company, the Wu Xizai Investment Film Company to analyze the reasons and motives for their shooting the drama movies. And the process of shooting for opera and film integration exploration and thinking. Chapter 4th selects the drama artist Mei Lanfang's drama film creation process, respectively from the new drama influence and the artist's cultural consciousness two aspects to discuss his movie creation activity.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J909.2;J809.2

【参考文献】