从音乐形态学视角谈广西牛娘剧的创新

发布时间：2018-03-02 01:27

本文关键词： 音乐形态学牛娘剧创新　出处：《四川戏剧》2017年06期 　论文类型：期刊论文

【摘要】：牛娘剧是广西岑溪市一带百姓喜闻乐见的一个地方剧种,也是广西第一批被列入非物质文化遗产名录的剧种,其唱腔质朴,表演程式、伴奏形式和舞台布景都比较简单,在当地民间流传较广。上世纪70年代以后,当地文艺工作者对牛娘剧进行了大胆革新,牛娘剧开始受到外界更多的关注。本文从曲式结构、调式与音阶、旋律形态、节奏与节拍、伴奏音乐等方面入手,对传统牛娘剧和现代牛娘剧的音乐形态特征进行比较分析,总结前人的创新经验和思路,对牛娘剧的进一步改革和发展有一定的现实指导意义。
[Abstract]:Niang Opera is one of the popular local dramas in Cengxi, Guangxi. It is also the first group of dramas to be listed on the list of intangible cultural heritages in Guangxi. Its singing style, performing procedure, accompaniment form and stage setting are relatively simple. Since -30s, local writers and artists have made bold innovations to Niang Opera, and Niang Opera has begun to attract more attention from the outside world. From the aspects of rhythm and rhythm, accompaniment music and so on, this paper makes a comparative analysis of the music form characteristics of the traditional Niang drama and the modern Niang drama, and summarizes the innovative experiences and ideas of the predecessors. Niang drama for the further reform and development of a certain practical significance.
【作者单位】：广西梧州学院音乐舞蹈系;
【基金】：广西梧州学院2014年度校级科研项目“岑溪传统牛娘剧与现代牛娘剧的音乐特征之比较研究”(项目编号:2014C018)的阶段性成果
【分类号】：J825

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