雷佳演唱的歌剧《白毛女》选段研究

发布时间：2018-03-02 05:04

本文关键词： 雷佳白毛女歌剧演唱研究声乐研究　出处：《湖南科技大学》2017年硕士论文　论文类型：学位论文

【摘要】：民族歌剧《白毛女》中“喜儿”一角是全剧的焦点。雷佳作为接棒王昆、郭兰英、彭丽媛的第四代“喜儿”的扮演者,充分展现了当代表演艺术家对于早期原创歌剧的表演手法和理念的继承能力,同时也彰显了新时代背景下对于“白毛女”这个经典戏剧角色的认识和理解。在她演唱的这版《白毛女》中,我们能够看到雷佳极为扎实的演唱功底,这很大程度上得益于她早年接受过的系统的戏曲训练,加上老一辈艺术家的虔心指导,因而,对于剧中的唱段能够把握得当、表现得宜。特别是在演唱《恨似高山仇似海》这一唱段时,更是展现出她对传统音乐文化和演唱技巧的深刻理解,将角色愤恨的内心和仇恨的怒火展现得淋漓尽致。同时,雷佳一方面展现了她扎实的声音刻画能力,另一方面则以鲜活生动的表演证明了自己角色塑造的功力,雷佳版“喜儿”可谓“唱演俱佳,声情并茂”。此外,剧中的主要唱段《北风吹》、《我要活》、《恨似高山仇似海》,一方面它们都具有着丰富的音乐内涵和多样的音乐内容,在诠释角色之前,应该着重对这三个唱段的音乐本体进行分析,从而做到“心中有谱”。另一方面针对于雷佳在诠释这个角色过程中的声音刻画和角色塑造的分析,能够帮助我们理清“喜儿”历经四代之后,对中国传统民歌演唱、戏曲演唱等优秀音乐文化的传承,以及雷佳个人所特有的演唱风格和处理技巧,特别是她在声音刻画和角色塑造两方面的表现是值得我们分析和借鉴的。
[Abstract]:The role of "Xier" in the national opera "White-haired Girl" is the focus of the whole play. Lei Jia plays the 4th generation "Xier" of Wang Kun, Guo Lanying and Peng Liyuan. Fully demonstrating the ability of contemporary performing artists to inherit the performance techniques and ideas of the early original operas, At the same time, it also demonstrates the understanding and understanding of the classic role of "White-haired Girl" in the new era. In this edition of "White-haired Girl", we can see Lei Jia's very solid singing skills. This was largely due to the systematic opera training she had received in her early years, and the godly guidance of the older generation of artists, so that she was able to get a good grasp of the choreography in the play. Especially when she sang "hate like a mountain like a sea", it also showed her profound understanding of traditional music culture and singing skills, and showed the angry heart of the character and the anger of hatred incisively and vividly. At the same time, On the one hand, Lei Jia demonstrated her solid ability to portray her voice; on the other hand, she proved her role in shaping her character with a lively performance. Lei Jia's version of Xi er is "beautiful in both singing and acting." in addition, On the one hand, they all have rich musical connotations and various musical contents. Before interpreting the roles, we should focus on the analysis of the musical ontology of these three tracks. On the other hand, the analysis of Yu Lei Jia's voice portrayal and role shaping in the process of interpreting this role can help us figure out how "Xier", after four generations, sings to traditional Chinese folk songs. The inheritance of outstanding music culture such as opera singing, as well as the unique singing style and processing skills of Lei Jia, especially her performance in the two aspects of voice portrayal and role shaping, are worthy of our analysis and reference.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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