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清代宫廷承应戏初探

发布时间:2018-03-04 02:06

  本文选题:清代 切入点:宫廷承应戏 出处:《中国艺术研究院》2011年硕士论文 论文类型:学位论文


【摘要】:戏曲是一门高度综合的艺术,它是歌舞、古优、角抵戏等众多门类的艺术高度融合的结晶。从萌芽之日起,它就与宫廷产生了深厚的渊源。统治者出于政治目的以及享乐的需要,歌舞、百戏等进入宫廷,并且在宫廷中得到了规范和提升。大规模的百戏、散乐集演更是促进了各门类艺术的交流与融合,因此说宫廷对于戏曲的形成是起到过十分积极的作用的。 清代是戏曲艺术繁盛发展的时期。来自关外的满族贵族统治者在接受汉族文化的同时也接受了戏曲艺术。历任清朝统治者对于戏曲艺术都表现出了极大的兴趣,这促使戏曲在宫廷中迅速发展起来,成为宫廷生活中不可缺少的组成部分。从现存的宫廷戏曲档案以及宫廷戏曲剧本中可以看出,戏曲艺术不单单是统治者日常生活中的享乐,它在宫廷的仪礼庆典中占有十分重要的位置。宫廷的仪礼庆典代表着王室的形象,因而仪典中的戏曲演出活动从剧目到排场等方方面面都有十分严格的要求。这种特殊的环境促使清代宫廷承应戏显现出了不同于民间戏曲演出的风格与艺术特色。 虽然环境是相对封闭的,但是清代宫廷承应戏与民间戏曲的交流一直不曾中断。民间新兴的剧种很快会传入宫廷,因而宫廷中戏曲剧种的更迭几乎与民间可以保持一致。同时,清宫承应戏独特的艺术特征也对民间戏曲产生了深远的影响。
[Abstract]:Opera is a highly comprehensive art, it is the song and dance, ancient excellent, angle to play and many other categories of art highly integrated. From the beginning of the day, It had a deep connection with the court. The rulers entered the palace for political purposes and the need for pleasure, singing and dancing, and 100 operas, and were standardized and promoted in the palace. Therefore, the court played a very positive role in the formation of opera. The Qing Dynasty was a period of prosperity and development of opera art. The Manchu aristocratic rulers from Guanwai accepted both Han culture and opera art. All Qing rulers showed great interest in the art of opera. This led to the rapid development of opera in the palace and became an indispensable part of court life. From the existing court drama archives and court drama scripts, we can see that the art of opera is not merely the enjoyment of the rulers' daily life. It occupies a very important place in the ceremony of the court. The ceremony of the court represents the image of the royal family. As a result, there are strict requirements for all aspects of the opera performance activities in the ceremony, such as the drama program and the theatrical performance. This special environment prompted the Qing court court to show different styles and artistic features from the folk opera performance. Although the environment is relatively closed, the exchange between the court response and folk opera in the Qing Dynasty has not been interrupted. The new folk drama will soon be introduced to the court. Therefore, the variety of opera in the court is almost consistent with that of the folk. At the same time, the unique artistic characteristics of the Qing Dynasty Chengying Opera also have a profound influence on the folk opera.
【学位授予单位】:中国艺术研究院
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J809.2

【参考文献】

相关期刊论文 前1条

1 李玫;汤显祖的传奇折子戏在清代宫廷里的演出[J];文艺研究;2002年01期

相关硕士学位论文 前1条

1 程志;京腔研究[D];河北大学;2005年



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