北宋上党神庙演出场所探微

发布时间：2018-03-04 14:17

本文选题：神庙演出场所　切入点：宋代舞楼　出处：《戏剧(中央戏剧学院学报)》2015年01期 　论文类型：期刊论文

【摘要】：神庙中演出场所之设,自肇始以来便与乐舞、戏曲有着不解之缘,其形制、布局的变化无不与乐舞、戏曲演出有着密切关联。兴起于北宋年间的上党地区及河东万荣地区的几座演出场所,都属神庙内的附属建筑,这种演出场所形式与汴京瓦舍中之勾栏存在较大差异,是为了适应迎神赛社时供馔献艺所建。虽然宋代神庙演出场所建筑现已无实物遗存,但从碑刻载录、庙宇规制布局、宋代建筑遗存及金元舞楼形制等方面综合考量,可大致作出推断。
[Abstract]:The establishment of performing places in the temple has been closely related to music and dance since its inception, and the changes in its shape and layout have always been related to music and dance. Opera performances are closely related. Several performing venues in Shangdang region and Wanrong area of Hedong, which were born in the Northern Song Dynasty, are all attached buildings in the temple, which are quite different from the Gaolan in the Bianjing Waxuan. It was built in order to adapt to the sumptuous performance of the temple in the Song Dynasty. Although there is no real object left in the performance site of the temple in the Song Dynasty, it is considered comprehensively from the aspects of inscription, temple regulation and layout, the architectural relics of the Song Dynasty and the shape of the dance building in the Jin and Yuan dynasties, and so on. A general inference can be made.
【作者单位】：山西师范大学戏曲文物研究所;
【基金】：国家社科基金项目“文化遗产视域下的古戏台资料抢救与遗存保护研究”(14BZS079);国家社科基金项目“中国戏曲碑刻的收集整理与研究”(项目编号:13BZS017) 教育部人文社会科学研究项目“中国神庙剧场史”(11YJAZH003)阶段性成果
【分类号】：J809.2

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