黄梅戏之花腔小戏音乐研究

发布时间：2018-03-04 16:40

本文选题：黄梅戏　切入点：花腔小戏　出处：《江西师范大学》2009年硕士论文　论文类型：学位论文

【摘要】： 黄梅戏是当今我国五大剧种之一,其内容包括花腔小戏和主调平词两大体系。这两大体系共同构成了黄梅戏的艺术内涵和艺术特征,其中,花腔小戏因为其独具的艺术风格特点和历史渊源,在黄梅戏这一剧种中有着重要的地位。本文从花腔小戏的历史渊源、音乐本体以及它对形成黄梅戏这一剧种的贡献进行了研究。通过对其音乐本体的研究和历史线索的分析,概括并引申出花腔小戏的艺术特征。笔者试图通过这一选题,对花腔小戏自身的音乐形态特点的整体性和其作为黄梅戏这一剧种的部分性进行合理定位,对其在发展中的衍变和艺术“转嫁”上的个性特征力争做到清晰的阐述,最终对花腔小戏的艺术价值和地位进行总结。
[Abstract]:Huangmei Opera is one of the five kinds of plays in our country today. Its contents include two systems of Hua-cai opera and the main leveling words. These two systems together constitute the artistic connotation and artistic characteristics of Huangmei Opera, among which, Because of its unique artistic style and historical origin, Huaxuan opera plays an important role in Huangmei Opera. This paper studies the historical origin, music ontology and its contribution to the formation of Huangmei Opera. Through the research of its music ontology and the analysis of historical clues, it generalizes and generalizes the artistic characteristics of Hua-Xuan Xiao Opera. Through this topic, the author tries to make a reasonable position on the integrity of the characteristics of the music form of the small opera with a flower cavity and its part as a kind of Huangmei opera. This paper tries to make a clear exposition of its evolution in development and the personality characteristics of art "transference", and finally sums up the artistic value and position of Hua-cai opera.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J617.5

【引证文献】