《费加罗的婚礼》中凯鲁比诺两首咏叹调的音乐形象及其演绎

发布时间：2018-03-06 14:29

本文选题：莫扎特　切入点：《费加罗的婚礼》　出处：《安徽大学》2017年硕士论文　论文类型：学位论文

【摘要】：沃尔夫冈·阿玛多伊斯·莫扎特的《费加罗的婚礼》以其幽默的风格,优美的旋律,成为音乐历史上是最著名的歌剧之一。本文通过对《费加罗的婚礼》中,凯鲁比诺两首咏叹调《不知道我自己干了什么》和《你们可知道》的分析与总结,来阐述次女高音在古典主义时期歌剧中反串角色的演绎。论文从四个章节来论述凯鲁比诺的音乐形象及其演绎:第一章、莫扎特《费加罗的婚礼》的喜剧特征。这一章从创作背景,人物性格分析着手,从总体上把握歌剧脉络;第二章、凯鲁比诺两首咏叹调的分析。将两首咏叹调从音乐情绪和曲式方面来分析,了解音乐层次;第三章、凯鲁比诺两首咏叹调的演唱处理。具体到每句话的语气与歌唱技术的运用'第四章、名家演唱版本对比。列举了意大利与德国两位歌唱家的音频资料对比,为吸收优秀的表演经验和开阔音乐视野做出资料的收集与整理。
[Abstract]:Wolfgang Amadeu Mozart's "the marriage of Figaro > with its humorous style, beautiful melody, a musical history is one of the most famous opera. Based on" the marriage of Figaro ", Cherubino two Arias < I do not know what their own" and "you know and summary > analysis. To elaborate the Mezzo Soprano in opera as the classical period in the role of the interpretation. This paper from four chapters to discuss the musical image of Cherubino and its interpretation: in the first chapter, the comedy feature Mozart" the marriage of Figaro ". This chapter from the creation background, character analysis, grasp the context of opera in general; the second chapter Cherubino, analysis of the two arias. The two arias from the perspective of music emotion and music, understand music level; the third chapter, Cherubino two Arias singing specific processing. The fourth chapter of each sentence's tone and singing technology application is compared with the famous singer's singing version. The audio data comparison between two singers in Italy and Germany is listed, so as to collect and arrange data for absorbing excellent performance experience and broadened music vision.

【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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