非遗视野中的民间戏曲“一勾勾”

发布时间：2018-03-06 23:17

本文选题：一勾勾　切入点：音乐本体分析　出处：《中国艺术研究院》2010年硕士论文　论文类型：学位论文

【摘要】： “一勾勾”是由高唐一带的花鼓逐渐发展衍变而成的地方戏曲剧种,主要流行于鲁西北地区的德州、聊城以及河北省的部分地区,以德州临邑一带最为盛行。由于该剧种唱腔带有一讴或者一吼,演唱起来一讴吼一讴吼的,所以被当地群众称为“一勾勾”。清代中叶在以上地区就有艺人组成班社,并带徒传艺,20世纪50年代临邑县曾成立专业剧团。该剧种保留传统剧目70余出,唱腔结构体制为板腔体,旋律富有浓郁的地方色彩和乡土气息,当地群众亲切地称其为“半碗蜜”、“咬断弦”和“栓老婆橛子”,有深厚的群众基础。20世纪80年代后逐渐衰退,2006年5月20日,“一勾勾”成功申报第一批国家级非物质文化遗产。目前有“一勾勾”传播基地在活动。以往关于“一勾勾”的研究多偏重于简单的旋律记载,笔者的这篇论文则是将“一勾勾”这样一个古老的剧种放在非遗的视角下进行重新审视的同时,对其发展历史进行全面梳理,力求从音乐方面对“一勾勾”戏曲的曲调来源、唱腔结构、调式调高以及伴奏音乐作全面的分析；并在实地考察的基础上,对“一勾勾”传承人以及传播中心进行调查和研究,希望能比较真实客观地描述“一勾勾”目前的生存现状,揭示“一勾勾”的本质特征,为其传承和保护作一些基础性的工作。
[Abstract]:"one hook" is a kind of local opera drama developed gradually from the flower drum in Gaotang area. It is mainly popular in Texas, Liaocheng and parts of Hebei Province in northwest Shandong. It is most popular in Linyi, Texas. Because this kind of play has a song or a song, a song, a song, a song, a song, a song, a voice, so it is called "a hook and a hook" by the local people. In the middle of the Qing Dynasty, there were artists in the above areas to form a club. In 50s, a professional troupe was set up in Linyi County, where more than 70 traditional repertoire were produced. The singing structure system was a board cavity with rich local color and local flavor. The local people affectionately called it "half bowl of honey", "bite the string" and "pin the wife", which had a deep mass base. After 80s, the foundation of the masses declined gradually. In May 20th 2006, the "one hook" successfully declared the first batch of national non-material. Cultural heritage. At present, there is a "one hook" dissemination base in activities. Previous studies on "one tick" have focused more on simple melody records, while the author's paper is to re-examine the ancient drama "one tick" from the perspective of non-legacy. In order to make a comprehensive analysis of the origin of the tune, the structure of the tune, the mode of tuning and the accompaniment of the opera from the aspect of music, and on the basis of the field investigation, the author makes a comprehensive analysis of its history of development, and tries to make a comprehensive analysis of the origin of the tune, the structure of the singing and the accompaniment. Through the investigation and research on the inheritors and communication centers of "one tick", the author hopes to describe the existing situation of "one hook" objectively and realistically, and to reveal the essential characteristics of "one tick". For its inheritance and protection to do some basic work.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

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