乐亭大鼓文化审美研究

发布时间：2018-03-10 00:24

本文选题：乐亭大鼓　切入点：民间曲艺　出处：《辽宁大学》2012年硕士论文　论文类型：学位论文

【摘要】：乐亭大鼓（读作làoting）原名“乐亭腔”、“乐亭调”，是我国北方的主要民间说唱曲种之一。它根植于乐亭土壤，语言质朴、欢快、幽默、诙谐，具有浓郁的地方气息，是当地文化最为形象的情感表达方式。乐亭大鼓作为乐亭地区最具代表性的民间说唱艺术，板式完备，句式精炼，唱词古朴委婉、刚柔相济，腔调灵活变幻、风趣得体，它是鼓曲类艺术中发展比较成熟的一门地方曲艺。乐亭大鼓以纯正的乐亭老呔方言为表演基调，饱含浓重的生活气息和独特的地方色彩，加之其所具有的审美、教育、娱乐和心理调适等功能，既满足了当地民众质朴的审美要求，又达到了宣泄、教化的目的，因而受到当地及周边群众的广泛喜爱。乐亭大鼓作为乐亭地区一项民俗文化，记载着乐亭民众的生活历程，反映了乐亭民众日常的人生观、价值观和审美观，对研究乐亭地方文化有着极高的文化史价值。本文拟立足于民俗学本位，，联系文艺美学、心理学、戏剧学等多学科知识，通过运用田野调查和文献梳理相结合的方法，对乐亭大鼓从地方性审美角度进行文化阐释，分析探究乐亭大鼓民俗的、社会的、心理的种种底蕴，力求通过解读其丰富的文化内涵，来关注和了解当地民众的日常生活，并在乐亭大鼓表演和民众生活的交叉互渗中探求乐亭大鼓的发展前景及未来走向。本文由绪论、正文、结语三大部分组成，其中正文部分共五章内容。绪论部分交代了本文的选题目的和意义、本课题的研究现状、资料来源与研究方法以及本文的理论创新与不足之处。第一章为乐亭大鼓文化综述。本章从历史演变的角度对乐亭大鼓进行文化溯源，介绍乐亭大鼓名字的由来，并对乐亭大鼓的发展历程进行阶段性梳理。同时，为了更好地了解乐亭大鼓文化，笔者采用比较研究的方法，通过乐亭大鼓与京韵大鼓的域外比较和乐亭大鼓与乐亭皮影的域内比较相结合的方式，突出乐亭老呔方言在乐亭地方文艺中不可替代的作用，凸显出乐亭大鼓文化存在的独特性地位。第二章介绍了乐亭大鼓文化生成的地理环境和人文背景。乐亭大鼓作为乐亭土地上独特的文化现象，是与当地的自然环境、物质生活方式，以及自然环境熏陶下当地人的气质分不开的。其作为乐亭民俗文化的一部分，是乐亭人民传统文化积淀的结果，反映着民间社区和集体的人群意愿，是他们质朴心态的一种折射。本章拟从乐亭县的地理环境、人文背景入手，分析自然、社会环境在乐亭大鼓文化形成发展过程中的决定性作用。第三章内容为乐亭大鼓与乐亭老呔文化基因关系建构。本章从“呔”字入手，通过对乐亭老呔文化独特性的分析，运用语言学和语言民俗学相关理论，直接引入乐亭民间俗语并加以分析，从而建立起乐亭大鼓与乐亭老呔方言的必然联系，突出乐亭大鼓语言的诙谐性、娱乐性特征，凸显乐亭大鼓的地方性美感。第四章内容为乐亭大鼓的民间表演。本章主要针对乐亭大鼓的表演者与观众以及双方互动三方面内容进行阐释，运用巴赫金的“狂欢”诗学理论，从心理学、美学角度分析乐亭大鼓在当地民众生活中活跃的原因。并通过分析得出乐亭大鼓所具有的狂欢性、生活化特征，以及教育性、娱乐性的民俗功能，进而探寻乐亭大鼓在当地广受民众喜爱的深层原因。第五章内容为乐亭大鼓的地方性审美。本章内容主要从语言学、文艺学和心理学的角度入手，通过对乐亭民众的性格特征和审美心理的分析，总结出文化审美的地域性特点。此外，本章还借助文本分析与田野资料所得，进一步探寻乐亭大鼓在乐亭民众日常生活中的意义，洞察其中所蕴藏的民众的审美观、人生观和价值观。结语部分是对大众文化包围下的乐亭大鼓发展前景及未来走向的几点思考。随着大众文化时代的来临，电视、电影、网络等多种文化媒体的冲击，以及现实生活的大变动，改变了人们以往传统的生存方式和精神需求。乐亭大鼓能否在文化时代潮流中生存并传承下去，值得我们思考，保护民族传统文化更是我们民俗学人应有的未来担当。在此部分，笔者分别从民间文化事象本身、民间艺人、以及国家政策的介入三个角度切入，并加以简要分析，为以乐亭大鼓为代表的民间传统文化的发展寻找新的路径出谋划策。
[Abstract]:Leting Dagu (read: l, oting) formerly known as "Leting cavity", "Leting", is one of the main folk music in northern China. It is rooted in the soil of Leting, the language is simple, cheerful, humorous, witty, with a strong local flavor, local culture expression for most images.
Leting drum in Leting as the most representative of the folk art, the plate is complete, the sentence is refined, lyrics simple euphemism, flexible tone changes, move among force and soft, witty and decent, it is relatively mature in a local folk art in Leting. The development of Guqu Dagu YISHION is the old Leting dialect to show tie tone, full of strong the flavor of life and unique local color, and its aesthetic, education, entertainment and psychological adjustment and other functions, both to meet the aesthetic requirements of the local people plain, and achieves the purpose of cultivation, catharsis, it is widely loved by the local and surrounding masses.
Leting drum in Leting as a folk culture, life history records of the people of Leting, reflecting Leting people's daily life, and aesthetic values, has a high cultural value for the study of history of the local culture of Leting. This paper based on folklore standard, with aesthetics, psychology, knowledge of drama so, by the combined method of using field investigation and literature review phase, the Leting drum Cultural Interpretation from the local aesthetic point of view, the analysis and research of Leting folk drum, society, all sorts of psychological stress for the foundation, through the interpretation of the rich cultural connotation, to pay attention to and understand the daily life of local people, development prospects and cross in Leting drum performances and people's life in Leting to explore the mutual infiltration of drum and the direction in the future.
This article is composed of three parts, the introduction, the main body and the conclusion, of which there are five chapters in the body part.
The introduction explains the purpose and significance of this topic, the research status of this subject, the sources and methods of the research, and the theoretical innovation and inadequacies of this paper.
The first chapter is the overview of Leting drum culture. The cultural source of Leting drum of this chapter from the perspective of historical evolution, the origin of its name in Leting, and the development process of Leting drum periodically comb. At the same time, in order to better understand the Leting drum culture, the author adopts the method of comparative study, through the Leting drum and food the Leting drum and drum comparison with Leting shadow domain comparison combination, highlighting the Leting dialect of old tires can not be replaced in Leting local literature and the role, highlighting the existence of Leting drum culture unique position.
The second chapter introduces the formation of Leting drum culture geographical environment and cultural background. Leting drum as a unique cultural phenomenon of land in Leting, with the local natural environment, life style, temperament and local natural environment inseparable. As part of the folk culture of Leting, the Leting people's traditional the result of cultural accumulation, reflects the folk communities and the crowds will, is a reflection of their pristine state of mind. This chapter from Leting County in the geographical environment, analysis of natural, cultural background, social environment formed a decisive role in the process of development in Leting drum culture.
The third chapter is the construction of Leting drum and Leting old tyres culture gene relationship. This chapter from the "Tai" to start, through the analysis of the unique culture of Leting old tyres, the use of linguistics and folklore theory, directly into the Leting folk proverb and analysis, so as to establish a link with Leting Leting drum old tyres Leting dialect, prominent language humorous drum, entertainment features, local beauty highlights Leting drum.
The fourth chapter is the Leting drum folk performances. In this chapter, Leting drum performer and audience interaction and three aspects of interpretation, the use of Bakhtin's Carnival Poetics Theory, from the perspective of aesthetics psychology, Leting drum in the local people causes active life. And through the analysis of Carnival of Leting drum with the living characteristics, education and entertainment, the function of folklore, and then explore the deep reasons of Leting drum widely loved by the people in the local.
The fifth chapter is the local aesthetic Leting drum. This chapter mainly from linguistics, literature and psychology perspective, through to the Leting people's character and aesthetic psychology analysis, summed up the characteristics of regional aesthetic culture. In addition, this chapter also by means of text analysis and field data, to further explore the significance Leting drum in Leting people's daily life, which contains insight into people's aesthetic outlook, outlook on life and values.
The concluding part is a few thoughts on the development prospect and future trend of Leting big drum surrounded by mass culture.
With the advent of the era of mass culture, television, movies, Internet and other cultural media, and large changes in real life, changed our traditional way of life and spiritual needs. Leting drum can survive and pass on the cultural trend of the times, is worth us thinking, the protection of the national traditional culture is our folklore should the future play. In this part, the author from the folk cultural phenomenon itself, folk artists, as well as national policy in three aspects, and briefly analyzed, to find a new path for the development of give advice and suggestions to Leting drum as the representative of the traditional folk culture.

【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J826

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