戏剧中的社群意识

发布时间：2018-03-10 05:05

本文选题：戏剧　切入点：社群主义　出处：《戏剧艺术》2017年04期 　论文类型：期刊论文

【摘要】：任何戏剧作品中,都隐含着社群元素。戏剧与社群的关系,可以归纳为八种关系类型。从这八种类型出发分析,社群戏剧是社群意识最强烈的戏剧实践形式,也是当代戏剧实践中被忽视的一条戏剧脉络。社群戏剧的目的是以戏剧的方式促进社群的发展,故事往往是戏剧艺术家和社群成员集体创作或改编而成,与社群历史、现状和发展的某一方面有关,与社群高度融合。在批判新自由主义的社群主义思潮背景下,耶鲁大学社会学教授提出,戏剧和社会的关系在历史上存在着融合、分离和再融合的现象,只有和社会再融合的戏剧表演才有可能走向成功。与各类社群发生互动,增强戏剧中的社群意识,中国的戏剧也许能开辟新路。
[Abstract]:The relationship between drama and community can be summed up into eight types of relations. According to the analysis of these eight types, community drama is the most powerful form of drama practice of community consciousness. The purpose of community drama is to promote the development of the community in a dramatic way, and the story is often created or adapted by dramatic artists and members of the community collectively, with the history of the community. In the context of communitarianism, which criticizes neoliberalism, Yale University sociology professor points out that the relationship between drama and society is historically integrated. The phenomenon of separation and re-integration can lead to success only when the theatrical performance is reintegrated with the society. To interact with all kinds of communities and enhance the sense of community in drama, Chinese drama may open up a new way.
【作者单位】：上海戏剧学院戏剧文学系;
【基金】：上海哲学社会科学规划项目“戏剧参与都市社区建设研究:国际经验和本土实验”(项目编号:2014JG012-BWY703)的阶段性成果
【分类号】：J805

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