他者凝视下粤剧粤曲展演空间分析——广州荣华楼曲艺茶座个案研究

发布时间：2018-03-11 00:14

本文选题：他者凝视　切入点：粤剧粤曲　出处：《人文地理》2015年02期 　论文类型：期刊论文

【摘要】：人文地理学领域鲜有关注"饮茶听粤曲"这一独特的音乐文化景观,鉴于此,本文以百年茶楼——荣华楼的曲艺茶座为例,采取深度访谈及参与式观察、定性描述方法,用"凝视"理论探讨在他者与我者、"看"与"被看"的互动中,荣华楼曲艺茶座其空间功能的塑造及转变、其社会关系的建构及意义。结果表明:1对茶楼关注的焦点随时间发生转移促使经营者思考如何改造展演空间的功能达到维持经营的目的,致使粤剧粤曲展演空间原有功能被分割;2"凝视"是一种展演反思的作用力;3粤剧粤曲展演空间发挥着维系社会某一特定群体文化体系的功能。
[Abstract]:In the field of human geography, there is little attention to the unique musical and cultural landscape of "drinking tea and listening to Cantonese music". In view of this, this paper takes the Quyi tea house of 100-year tea house-Rong Hua building as an example, adopts in-depth interviews and participatory observation, and describes qualitatively. With the theory of "gaze", this paper explores the shaping and transformation of the spatial function of Rong Hua's Quyi Tea House in the interaction between others and me, between "seeing" and "being seen". The result shows that the focus of attention to the teahouse changes with time, which urges the operator to think about how to transform the function of exhibition space to maintain the operation. As a result, the original function of Cantonese opera performance space has been divided into two parts: "gaze" is a kind of force of exhibition and reflection. 3. Guangdong opera exhibition space plays a role in maintaining a certain social cultural system.
【作者单位】：华南师范大学地理科学学院;华南师范大学文化产业与文化地理研究中心;
【基金】：国家自然科学基金项目(41271178,40971096)
【分类号】：J825

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