昆曲曲学小讲堂之昆曲音韵挈论

发布时间：2018-03-11 22:11

本文选题：戏曲音韵　切入点：曲界　出处：《上海戏剧》2016年12期 　论文类型：期刊论文

【摘要】：正音韵是曲唱的基本要素之一,历来受曲界同仁重视,有所宗而有传承、有大同又有差异、有共论也有分歧。昆曲音韵是一种戏曲音韵戏曲音韵有别于日常生活用语音韵,且剧种不同音韵截然不同。其有三种具象源:一是语音源时代遗存,即一种戏曲在发育、成熟过程所经历年代的语音;二是流行区域音系,即一种戏曲传播扎根所在地域的语音系统;三是艺术夸大性,即戏曲音韵服务于歌唱与韵白,实际使用比日常用语更具音乐技术要求。昆曲有自身的音韵系统,韵目
[Abstract]:Positive phonology is one of the basic elements of music and singing. It has always been attached importance to by my colleagues in the qu circles, and has been inherited, there are differences, there are common views, and there are differences in the common view. Kunqu Opera phonology is a kind of opera phonological rhyme, which is different from everyday life terms. There are three kinds of phonetic sources: one is the phonetic source, the other is the phonology of the age in which the opera is developing and maturing, and the other is the phonology of the popular region. That is, a kind of phonetic system in which opera communication takes root in the region; third, artistic exaggeration, that is, opera phonology serves singing and rhyme white, and the actual use of opera has more musical technical requirements than ordinary language. Kunqu Opera has its own phonological system and rhyme category.
【分类号】：J617.5

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