中国现代民间说唱艺术的生存与经营——兼与戏班经营比较

发布时间：2018-03-14 05:44

本文选题：民间说唱艺术　切入点：戏班　出处：《戏曲艺术》2014年01期 　论文类型：期刊论文

【摘要】：中国说唱艺术是中国文学和各类艺术的母体,直接孕育了小说、戏曲等,并对音乐和舞蹈等产生重大影响,有很高的研究价值。现代的说唱艺术主要与戏曲并存在剧场中:茶馆的说唱表演多旨在收取观演费用,也有以说唱表演为诱饵来收取茶资。游艺厅经营戏曲等多种艺术,说唱艺术是其中的关键。说唱艺术上电台演播,或赚取高额广告费,或利用电台影响来带动剧场的效益。和戏曲相同的是,剧场的说唱表演建立了"名角制"体系,以名角为号召提升剧场效益,名角也因此控制了经济分配。剧场中说唱艺人的收益方式主要有包银、人头份、加钱、赶场等。经励科、剧场中的"票头"、艺人中的"掌穴"和地方势力是剧场经营说唱表演的主要管理者。其经营方式与戏班有同有异。
[Abstract]:Chinese rap art is the mother of Chinese literature and all kinds of arts. It directly breeds novels, dramas, etc., and has a great influence on music and dance. Modern rap art mainly exists in theatres with opera: teahouse rap shows are mostly designed to charge for watching performances, and some use rap performances as bait to collect tea money. The art of rap is the key. The art of rap plays on the radio, or makes a lot of advertising money, or uses the influence of the radio to drive the effectiveness of the theater. Just as with the opera, the rap performance of the theater has established the system of "famous horn". Using the famous actor as a call to promote the effectiveness of the theater, Mingjiao also controlled the economic distribution. The main ways of income of the hip-hop artists in the theater are as follows: package silver, people in the first place, increase money, go to the market, and so on. The "ticket head" in the theater, the "palm hole" in the entertainers and the local forces are the main managers of the theatrical rapping performance, and their management methods are different from those of the opera troupe.
【作者单位】：泰山学院文学与传媒学院;许昌学院文学院;
【基金】：2010年度教育部人文社会科学研究一般项目《相声艺术研究》(10YJC760004) 2012年山东省高等学校人文社会科学研究项目《相声艺术史论》(J12WK69) 2012年山东省艺术科学重点项目《山东民间说唱艺术研究》(2012222)
【分类号】：J826

【共引文献】