论郝维亚为歌剧《图兰朵》续写的尾声

发布时间：2018-03-17 23:22

本文选题：郝维亚　切入点：普契尼　出处：《上海师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 本硕士论文以2008年最新上演的国家大剧院版《图兰朵》中,中国作曲家郝维亚为普契尼歌剧《图兰朵》全新续写的尾声音乐作为本文研究对象,通过第一手音像乐谱资料,运用比较分析的方法来研究郝维亚尾声音乐的特色与价值。本论文一共分为五章。第一章追溯郝维亚续写的普契尼歌剧《图兰朵》之前的各历史文学剧本中的图兰朵形象。第二章在分析了普契尼《图兰朵》的原始脚本中的先天不足和普契尼的创作意图后,以原始脚本作为依据,通过列表比较的方法来研究郝维亚对普契尼歌剧尾声脚本的继承与增减及其对图兰朵形象转变所产生效应。第三章即本论文的研究核心,以图兰朵亲吻环节作为线索,分别从亲吻前、亲吻中、亲吻后这三个戏剧过程,详细比较分析该新尾声音乐对主人公图兰朵的形象与心理刻画,为使图兰朵的转变更为可信而运用的音乐手段。第四章主要从新尾声对普契尼《图兰朵》原音乐素材、普契尼音乐手法等方面的沿用,研究了郝维亚版音乐尾声中对普契尼风格的继承。第五章笔者以一个东方人的立场来看待中国人创作的西方歌剧尾声。对郝维亚尾声音乐中以及舞台表演中的点缀性东方元素进行研究,以挖掘其文化价值内涵。
[Abstract]:In this master's thesis, in 2008, in the latest National Grand Theater edition, Turandot, the Chinese composer Hao Wei wrote a new sequel to Puccini opera, Turandot, as the research object of this thesis, through the first-hand audio and video music score data. Using the method of comparative analysis to study the characteristics and value of the music in the end of Hava. This paper is divided into five chapters. The first chapter traces the image of Turandot in the historical plays of Puccini's opera Turandot. In the second chapter, after analyzing the original script of Puccini (Turandot) and Puccini's creative intention, it takes the original script as the basis. By means of tabular comparison, this paper studies the inheritance, addition and subtraction of Hava's Puccini script and its effect on Turandot's image transformation. The third chapter is the core of this thesis, taking Turandot kiss as the clue, from the three dramatic processes before, during and after kissing, the author compares and analyzes in detail the image and psychological portrayal of Turandot, the protagonist in the music of the new end. Musical means used to make Turandot's transformation more credible. Chapter 4th mainly from the new end of Puccini "Turandot" original music material, Puccini music techniques and other aspects of the use of the end of the study of Hao Wei version of Puccini style inheritance. In the 5th chapter, the author regards the end of the western opera created by the Chinese as an oriental point of view, and studies the ornament elements of the oriental elements in the music and stage performances in order to excavate the connotation of its cultural value.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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