青岛茂腔剧团的发展与继承研究

发布时间：2018-03-18 09:01

本文选题：茂腔　切入点：青岛茂胶剧团　出处：《上海音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：茂腔是流行于山东青岛、潍坊、日照等地的地方戏曲,在当地拥有广泛的群众基础,本文的研究对象——青岛茂腔剧团是国内建团最早,发展最好的茂腔剧团之一,在当地乃至全国具有很高的知名度,尤其是在当今许多地方戏曲生存面临危机的时期,青岛茂腔剧团依然保持的鲜活的生命力,因此具有一定的代表性。本文具体的研究内容主要包含以下三个方面一、茂腔的传统基本唱腔和创新唱腔音乐这一艺术手段是音乐和文字的有机集合,同时也是戏曲音乐最为核心的部分,它使唱词文学语言成为为有更强烈的感情色彩的唱腔音乐语言。戏剧音乐进化到板腔体后,就形成了特有的一种规律。以一种基本曲调为基础,通过调式、旋法、速度、节奏等方面的便化,发展成为一系列不同的板式。二、茂腔剧团的发展轨迹及每个阶段茂腔音乐发展的状况戏曲的发展是紧随时代发展潮流的,而不同时期剧团为适应社会文化发展对传统音乐文化进行的继承与创新都具有不同的特点。历史的经验也证明,一种艺术形态的生存与发展一定存在改革与创新。剧团通过创作组,使茂腔吸取其他剧种的精华,提高自身艺术价值,以及创作具有时代特征的新剧目,使唱腔、行当、内容等具有了新的活力,因此剧团的发展对于传统戏曲音乐文化的发展是至关重要的。三、对茂腔的保护与传承 2006年茂腔成功申报国家级非物质文化遗产,政府出台了一系列保护与支持政策,剧团自身也为了适应社会的要求,进行自我完善。本文将采用民族音乐学的理论和方法,以青岛茂腔剧团为主要研究对象,针对不同时期茂腔剧团和茂腔音乐的发展状况进行解读,包括音乐本体的理论研究以及地方戏曲团体为顺应当今社会的发展而进行的改革创新。本文的目的是试图从当地的历史传统和文化环境等方面,来浅窥青岛茂腔剧团生存与发展过程中的一系列现象,并加以分析梳理。
[Abstract]:Maoxiang is a popular local opera in Shandong, Qingdao, Weifang, Rizhao and other places, and has a broad local mass base. The research object of this paper is Qingdao Maoxiang Opera Troupe, which is one of the earliest and best developed Maoxiang opera troupes in China. In the local and even throughout the country has a high reputation, especially in many local opera survival crisis period, Qingdao Maoxiang Opera Troupe still maintain a fresh vitality, so it has a certain representative. The specific contents of this paper mainly include the following three aspects. First, the traditional basic singing and innovation of Maoxiang. The art means of singing music is an organic collection of music and writing, and it is also the core part of traditional Chinese opera music. It makes the literary language of singing words become the language of singing music with stronger emotional color. After the dramatic music evolves into the board cavity, it forms a special law. Based on a basic tune, through mode, rotation, speed, Rhythm and other aspects of the development of a series of different board. Second, the development of Maoxiang Opera Troupe and the development of Maoxiang music in each stage. The development of opera follows the trend of development of the times, and the inheritance and innovation of traditional music culture in different periods to adapt to the development of social culture have different characteristics. There must be reform and innovation in the survival and development of an art form. Through the creative group, the troupe can absorb the essence of other kinds of plays, improve its own artistic value, and create new plays with the characteristics of the times, so that it can sing and practise. The content has new vitality, so the development of opera troupe is very important to the development of traditional opera music culture. Third, the protection and inheritance of Maoxiang. In 2006, Maoxiang successfully declared the national intangible cultural heritage, the government issued a series of protection and support policies, the troupe itself to adapt to the needs of society, self-improvement. This paper will adopt the theory and method of ethnomusicology, take Qingdao Maoxiang Opera Troupe as the main research object, and interpret the development of Maoxiang Opera Troupe and Maoxiang Music in different periods. Including the theoretical research of music ontology and the reform and innovation of local opera groups in order to adapt to the development of today's society. The purpose of this paper is to try from the local historical tradition and cultural environment, etc. To explore a series of phenomena in the process of survival and development of Qingdao Maoxiang Opera Troupe, and analyze and comb them.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

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