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小剧场戏剧中观演关系的重构

发布时间:2018-03-20 03:38

  本文选题:小剧场 切入点:观演关系 出处:《南京航空航天大学》2010年硕士论文 论文类型:学位论文


【摘要】: 上世纪八十年代,随着《绝对信号》和《母亲的歌》两剧的上演,中国出现了小剧场戏剧这一特殊戏剧模式。它在空间上摒弃了传统大剧场的惯式,追求错落、多变、灵活、随意,在心理上打破了过去那种“我演你看”的两分法观演格局,随之带来了传统观演关系的颠覆和新的观演关系的创造。 本文第一章首先对小剧场戏剧的概念起源和观演关系的演变进行了回顾,在明确小剧场与观演关系诸概念的基础上,从空间和心理两个层面展开有关小剧场戏剧中观演关系的讨论。第二章着重围绕小剧场空间变化的特点对观演关系给予分析,从物理属性方面与传统镜框式舞台进行比较,探讨可能发生的观演关系变化。第三章以创作心理和接受心理为主要研究范畴,讨论空间重构后对观演心理的作用和影响。 虽然目前小剧场戏剧仍未在全国范围普及,更多以北京、上海两地为繁荣地域,同时也并未撼动主流戏剧的市场地位,但是,我们应当看到这一特殊戏剧模式下灵活开放的观演关系所可能带来的鲜活的演出现场生命力。笔者从观演空间的共享性、观演空间的多样化、创作心理和接受心理等几个方面进行了一些分析和归纳,希望能够通过对这一课题的研究和深入,唤起人们对这一新型观演关系的重新认识,并对当下和未来戏剧创作以有限的启发。
[Abstract]:In -20s, with the performance of "absolute signal" and "Mother's songs", a special theatrical pattern of small theater appeared in China. Casually, it breaks the dichotomy pattern of "I play you look" in the past, and brings about the subversion of the traditional relationship and the creation of the new one. In the first chapter, the author reviews the origin of the concept and the evolution of the relationship between the concept and the performance of the small theater, on the basis of defining the concepts of the relationship between the small theater and the performance. The second chapter focuses on the analysis of the characteristics of the changes in the space of the small theater, and compares the physical properties with the traditional frame stage. The third chapter focuses on the creative psychology and reception psychology as the main research category, and discusses the effect and influence of space reconstruction on the viewing psychology. Although at present, small theater plays have not been popularized throughout the country and are more prosperous in Beijing and Shanghai, and have not shaken the market position of mainstream theatre, however, We should see that the flexible and open relationship of watching and performing under this special drama mode may bring fresh live vitality of the performance. The author from the perspective of the sharing of the performance space, the diversity of the viewing space, Some aspects of creative psychology and reception psychology have been analyzed and summarized in the hope that through the research and in-depth study of this subject, people can be aroused to re-understand the new relationship between view and performance. And to the present and the future drama creation with the limited inspiration.
【学位授予单位】:南京航空航天大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J892.4

【引证文献】

相关期刊论文 前1条

1 刘黛;;“画像”与“支招”——美学视野下我国小剧场戏剧的现状和出路[J];艺术教育;2013年07期



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